Eugene Narmour
Affiliations: | University of Pennsylvania, Philadelphia, PA, United States |
Area:
Music, Cognitive PsychologyGoogle:
"Eugene Narmour"Mean distance: 35622
Children
Sign in to add trainee| Justin London | grad student | (Music Tree) | |
| Thomas M. Pooley | grad student | Penn (LinguisTree) | |
| Alexander Rozin | grad student | 2000 | Penn |
| Eugene Montague | grad student | 2001 | Penn (Anthropology Tree) |
| Catherine B. Chamblee | grad student | 2008 | Penn |
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Publications
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| Lembke S, Parker K, Narmour E, et al. (2019) Acoustical correlates of perceptual blend in timbre dyads and triads Musicae Scientiae. 23: 250-274 |
| Narmour E. (2015) Toward a Unified Theory of the I-R Model (Part 1): Parametric Scales and Their Analogically Isomorphic Structures Music Perception: An Interdisciplinary Journal. 33: 32-69 |
| Narmour E. (2011) Our Varying Histories and Future Potential: Models and Maps in Science, the Humanities, and in Music Theory Music Perception: An Interdisciplinary Journal. 29: 1-21 |
| Narmour E. (2000) Music Expectation by Cognitive Rule-Mapping Music Perception: An Interdisciplinary Journal. 17: 329-398 |
| Narmour E. (1996) Analyzing Form and Measuring Perceptual Content in Mozart's Sonata K. 282: A New Theory of Parametric Analogues Music Perception: An Interdisciplinary Journal. 13: 265-318 |
| Rosner BS, Narmour E. (1992) Harmonic Closure: Music Theory and Perception Music Perception. 9: 383-411 |
| Cox R, Meyer LB, Narmour E, et al. (1991) Style and Music: Theory, History, and Ideology@@@Explorations in Music, the Arts, and Ideas: Essays in Honor of Leonard B. Meyer Notes. 48: 51 |
| Narmour E. (1991) The Top-down and Bottom-up Systems of Musical Implication: Building on Meyer's Theory of Emotional Syntax Music Perception: An Interdisciplinary Journal. 9: 1-26 |
| Narmour E. (1989) The “genetic code” of melody: Cognitive structures generated by the implication-realization model Contemporary Music Review. 4: 45-63 |
| Narmour E. (1983) Some Major Theoretical Problems concerning the Concept of Hierarchy in the Analysis of Tonal Music Music Perception: An Interdisciplinary Journal. 1: 129-199 |