Sascha Frühholz
Affiliations: | Neurosciences | University of Geneva, Geneva, Switzerland |
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| Frühholz S, Rodriguez P, Bonard M, et al. (2024) Psychoacoustic and Archeoacoustic nature of ancient Aztec skull whistles. Communications Psychology. 2: 108 |
| Trevor C, Frühholz S. (2024) Music as an Evolved Tool for Socio-Affective Fiction. Emotion Review : Journal of the International Society For Research On Emotion. 16: 180-194 |
| Roswandowitz C, Kathiresan T, Pellegrino E, et al. (2024) Cortical-striatal brain network distinguishes deepfake from real speaker identity. Communications Biology. 7: 711 |
| Trost W, Trevor C, Fernandez N, et al. (2024) Live music stimulates the affective brain and emotionally entrains listeners in real time. Proceedings of the National Academy of Sciences of the United States of America. 121: e2316306121 |
| Trevor C, Renner M, Frühholz S. (2023) Acoustic and structural differences between musically portrayed subtypes of fear. The Journal of the Acoustical Society of America. 153: 384 |
| von Eiff CI, Frühholz S, Korth D, et al. (2022) Crossmodal benefits to vocal emotion perception in cochlear implant users. Iscience. 25: 105711 |
| Guex R, Grandjean D, Frühholz S. (2022) Behavioral correlates of temporal attention biases during emotional prosody perception. Scientific Reports. 12: 16754 |
| Steiner F, Fernandez N, Dietziker J, et al. (2022) Affective speech modulates a cortico-limbic network in real time. Progress in Neurobiology. 214: 102278 |
| Staib M, Frühholz S. (2022) Distinct functional levels of human voice processing in the auditory cortex. Cerebral Cortex (New York, N.Y. : 1991) |
| Trevor C, Frühholz S. (2021) The evolutionary benefit of less-credible affective musical signals for emotion induction during storytelling. The Behavioral and Brain Sciences. 44: e118 |