Stephen McAdams, Ph.D.

Affiliations: 
Music Perception and Cognition Lab McGill University, Montreal, QC, Canada 
Website:
http://mt.music.mcgill.ca/mpcl/people/stephen-mcadams
Google:
"Stephen McAdams"
Bio:

McAdams, S. (1984). Spectral fusion, spectral parsing and the formation of auditory images. Stanford University, Palo Alto, CA.

Mean distance: 18.88 (cluster 23)
 
SNBCP
Cross-listing: Music Tree

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Publications

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Chuen L, Sears D, McAdams S. (2016) Psychophysiological responses to auditory change. Psychophysiology
Cao Y, Giordano BL, Avanzini F, et al. (2016) The dominance of haptics over audition in controlling wrist velocity during striking movements. Experimental Brain Research
Siedenburg K, Jones-Mollerup K, McAdams S. (2015) Acoustic and Categorical Dissimilarity of Musical Timbre: Evidence from Asymmetries Between Acoustic and Chimeric Sounds. Frontiers in Psychology. 6: 1977
Gingras B, Pearce MT, Goodchild M, et al. (2015) Linking Melodic Expectation to Expressive Performance Timing and Perceived Musical Tension. Journal of Experimental Psychology. Human Perception and Performance
Lembke SA, McAdams S. (2015) The role of spectral-envelope characteristics in perceptual blending of wind-instrument sounds Acta Acustica United With Acustica. 101: 1039-1051
Soroka S, McAdams S. (2015) News, Politics, and Negativity Political Communication. 32: 1-22
Egermann H, Fernando N, Chuen L, et al. (2014) Music induces universal emotion-related psychophysiological responses: comparing Canadian listeners to Congolese Pygmies. Frontiers in Psychology. 5: 1341
Wollman I, Fritz C, Poitevineau J, et al. (2014) Investigating the role of auditory and tactile modalities in violin quality evaluation. Plos One. 9: e112552
Sears D, Caplin WE, McAdams S. (2014) Perceiving the classical cadence Music Perception. 31: 397-417
Gingras B, Asselin PY, McAdams S. (2013) Individuality in harpsichord performance: disentangling performer- and piece-specific influences on interpretive choices. Frontiers in Psychology. 4: 895
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