| Year |
Citation |
Score |
| 2018 |
Cutting JE, DeLong JE, Brunick KL. Temporal fractals in movies and mind. Cognitive Research: Principles and Implications. 3: 8. PMID 29577071 DOI: 10.1186/s41235-018-0091-x |
0.569 |
|
| 2017 |
DeLong JE. Neuropsychology Behind the Plate Sport, Ethics and Philosophy. 11: 385-395. DOI: 10.1080/17511321.2017.1311367 |
0.408 |
|
| 2016 |
Candan A, Cutting JE, DeLong JE. RSVP at the movies: dynamic images are remembered better than static images when resources are limited Visual Cognition. 1-12. DOI: 10.1080/13506285.2016.1159636 |
0.538 |
|
| 2015 |
Gunaydin G, DeLong JE. Reverse correlating love: highly passionate women idealize their partner's facial appearance. Plos One. 10: e0121094. PMID 25806540 DOI: 10.1371/Journal.Pone.0121094 |
0.374 |
|
| 2012 |
Cutting JE, Brunick KL, DeLong J. On Shot Lengths and Film Acts: A Revised View Projections. 6. DOI: 10.3167/PROJ.2012.060106 |
0.595 |
|
| 2011 |
Cutting JE, Brunick KL, Delong JE, Iricinschi C, Candan A. Quicker, faster, darker: Changes in Hollywood film over 75 years. I-Perception. 2: 569-76. PMID 23145246 DOI: 10.1068/i0441aap |
0.592 |
|
| 2011 |
Cutting JE, Brunick KL, Delong JE. How Act Structure Sculpts Shot Lengths and Shot Transitions in Hollywood Film Projections. 5: 1-16. DOI: 10.3167/PROJ.2011.050102 |
0.586 |
|
| 2011 |
Cutting J, Brunick K, Delong J. The changing poetics of the dissolve in hollywood film Empirical Studies of the Arts. 29: 149-169. DOI: 10.2190/EM.29.2.b |
0.6 |
|
| 2011 |
Cutting JE, DeLong JE, Brunick KL. Visual Activity in Hollywood Film: 1935 to 2005 and Beyond Psychology of Aesthetics, Creativity, and the Arts. 5: 115-125. DOI: 10.1037/a0020995 |
0.604 |
|
| 2010 |
Burkhardt A, Blaha LM, Jurs BS, Rhodes G, Jeffery L, Wyatte D, DeLong J, Busey T. Adaptation modulates the electrophysiological substrates of perceived facial distortion: support for opponent coding. Neuropsychologia. 48: 3743-56. PMID 20736026 DOI: 10.7490/F1000Research.1406.1 |
0.69 |
|
| 2010 |
Cutting JE, DeLong JE, Nothelfer CE. Attention and the evolution of Hollywood film. Psychological Science. 21: 432-9. PMID 20424081 DOI: 10.1177/0956797610361679 |
0.595 |
|
| 2010 |
Schneider BL, DeLong JE, Busey TA. On the nature of privileged visual stimuli: Partial immunity from within-class inhibition Journal of Vision. 6: 666-666. DOI: 10.1167/6.6.666 |
0.68 |
|
| 2010 |
DeLong J, Brunick K, Cutting J. Shot Structure and Visual Activity: The Evolution of Hollywood Film Journal of Vision. 10: 1229-1229. DOI: 10.1167/10.7.1229 |
0.594 |
|
| 2007 |
Schneider BL, DeLong JE, Busey TA. Added noise affects the neural correlates of upright and inverted faces differently. Journal of Vision. 7: 4. PMID 17461688 DOI: 10.1167/7.4.4 |
0.736 |
|
| 2007 |
Busey T, Schneider B, Wyatte D, DeLong J, Burkhardt A, Tjan B. Are inverted faces processed at a later stage? Journal of Vision. 7: 618-618. DOI: 10.1167/7.9.618 |
0.675 |
|
| 2007 |
Schneider B, DeLong J, Wyatte D, James K, Busey T. The neural correlates of face-like expertise in fingerprint examiners Journal of Vision. 7: 575-575. DOI: 10.1167/7.9.575 |
0.684 |
|
| Low-probability matches (unlikely to be authored by this person) |
| 2013 |
DeLong J. Horseshoes, handgrenades, and model fitting: the lognormal distribution is a pretty good model for shot-length distribution of Hollywood films Digital Scholarship in the Humanities. 30: 129-136. DOI: 10.1093/llc/fqt030 |
0.28 |
|
| 1939 |
Delong JE. Comparative utilization of gasoline, hesselman, and diesel engines Sae Technical Papers. DOI: 10.4271/390101 |
0.01 |
|
| Hide low-probability matches. |