| Year |
Citation |
Score |
| 2020 |
Lo CY, Looi V, Thompson WF, McMahon CM. Music Training for Children With Sensorineural Hearing Loss Improves Speech-in-Noise Perception. Journal of Speech, Language, and Hearing Research : Jslhr. 1-26. PMID 32543961 DOI: 10.1044/2020_Jslhr-19-00391 |
0.326 |
|
| 2020 |
Sun L, Thompson WF, Liu F, Zhou L, Jiang C. The human brain processes hierarchical structures of meter and harmony differently: Evidence from musicians and nonmusicians. Psychophysiology. e13598. PMID 32449180 DOI: 10.1111/Psyp.13598 |
0.317 |
|
| 2020 |
Gelding RW, Harrison PMC, Silas S, Johnson BW, Thompson WF, Müllensiefen D. An efficient and adaptive test of auditory mental imagery. Psychological Research. PMID 32356009 DOI: 10.1007/S00426-020-01322-3 |
0.368 |
|
| 2020 |
Sankaran N, Carlson TA, Thompson WF. The rapid emergence of musical pitch structure in human cortex. The Journal of Neuroscience : the Official Journal of the Society For Neuroscience. PMID 32001611 DOI: 10.1523/Jneurosci.1399-19.2020 |
0.35 |
|
| 2020 |
Day RA, Thompson WF, Boag S. Characterizing experiences of music-evoked visual imagery in high prevalence contexts. Psychomusicology: Music, Mind, and Brain. 30: 72-87. DOI: 10.1037/Pmu0000251 |
0.321 |
|
| 2019 |
Gelding RW, Thompson WF, Johnson BW. Musical imagery depends upon coordination of auditory and sensorimotor brain activity. Scientific Reports. 9: 16823. PMID 31727968 DOI: 10.1038/S41598-019-53260-9 |
0.342 |
|
| 2019 |
Sun Y, Lu X, Williams M, Thompson WF. Implicit violent imagery processing among fans and non-fans of music with violent themes. Royal Society Open Science. 6: 181580. PMID 31032016 DOI: 10.1098/Rsos.181580 |
0.367 |
|
| 2019 |
Russo FA, Vuvan DT, Thompson WF. Vowel Content Influences Relative Pitch Perception in Vocal Melodies Music Perception. 37: 57-65. DOI: 10.1525/Mp.2019.37.1.57 |
0.633 |
|
| 2019 |
Ma W, Fiveash A, Thompson WF. Spontaneous emergence of language-like and music-like vocalizations from an artificial protolanguage Semiotica. 2019: 1-23. DOI: 10.1515/Sem-2018-0139 |
0.358 |
|
| 2019 |
Sankaran N, Carlson TA, Thompson WF. Decoding MEG responses to musical pitch reveals the dynamic emergence of tonal structure in human cortex The Journal of the Acoustical Society of America. 145: 1813-1813. DOI: 10.1121/1.5101631 |
0.347 |
|
| 2019 |
Thompson WF, Geeves AM, Olsen KN. Who enjoys listening to violent music and why? Psychology of Popular Media Culture. 8: 218-232. DOI: 10.1037/Ppm0000184 |
0.348 |
|
| 2019 |
Day RA, Thompson WF. Measuring the onset of experiences of emotion and imagery in response to music. Psychomusicology: Music, Mind, and Brain. 29: 75-89. DOI: 10.1037/Pmu0000220 |
0.327 |
|
| 2018 |
Fiveash A, McArthur G, Thompson WF. Syntactic and non-syntactic sources of interference by music on language processing. Scientific Reports. 8: 17918. PMID 30559400 DOI: 10.1038/S41598-018-36076-X |
0.363 |
|
| 2018 |
Sun Y, Lu X, Ho HT, Johnson BW, Sammler D, Thompson WF. Syntactic processing in music and language: Parallel abnormalities observed in congenital amusia. Neuroimage. Clinical. 19: 640-651. PMID 30013922 DOI: 10.1016/J.Nicl.2018.05.032 |
0.308 |
|
| 2018 |
Fiveash A, Thompson WF, Badcock NA, McArthur G. Syntactic processing in music and language: Effects of interrupting auditory streams with alternating timbres. International Journal of Psychophysiology : Official Journal of the International Organization of Psychophysiology. PMID 29750978 DOI: 10.1016/J.Ijpsycho.2018.05.003 |
0.357 |
|
| 2018 |
Sankaran N, Thompson WF, Carlile S, Carlson TA. Decoding the dynamic representation of musical pitch from human brain activity. Scientific Reports. 8: 839. PMID 29339790 DOI: 10.1038/S41598-018-19222-3 |
0.35 |
|
| 2018 |
Olsen KN, Thompson WF, Giblin I. Listener Expertise Enhances Intelligibility of Vocalizations in Death Metal Music Music Perception. 35: 527-539. DOI: 10.1525/Mp.2018.35.5.527 |
0.308 |
|
| 2017 |
Lu X, Sun Y, Ho HT, Thompson WF. Pitch contour impairment in congenital amusia: New insights from the Self-paced Audio-visual Contour Task (SACT). Plos One. 12: e0179252. PMID 28617864 DOI: 10.1371/Journal.Pone.0179252 |
0.341 |
|
| 2017 |
Sun Y, Lu X, Ho HT, Thompson WF. Pitch discrimination associated with phonological awareness: Evidence from congenital amusia. Scientific Reports. 7: 44285. PMID 28287166 DOI: 10.1038/Srep44285 |
0.354 |
|
| 2016 |
Lu X, Sun Y, Thompson WF. An investigation of spatial representation of pitch in individuals with congenital amusia. Quarterly Journal of Experimental Psychology (2006). 1-25. PMID 27426027 DOI: 10.1080/17470218.2016.1213870 |
0.347 |
|
| 2016 |
Lu X, Ho HT, Sun Y, Johnson BW, Thompson WF. The influence of visual information on auditory processing in individuals with congenital amusia: An ERP study. Neuroimage. PMID 27132045 DOI: 10.1016/J.Neuroimage.2016.04.043 |
0.352 |
|
| 2016 |
Jiang C, Liu F, Thompson WF. Impaired Explicit Processing of Musical Syntax and Tonality in a Group of Mandarin-Speaking Congenital Amusics Music Perception. 33: 401-413. DOI: 10.1525/Mp.2016.33.4.401 |
0.358 |
|
| 2015 |
Ma W, Thompson WF. Human emotions track changes in the acoustic environment. Proceedings of the National Academy of Sciences of the United States of America. PMID 26553987 DOI: 10.1073/Pnas.1515087112 |
0.341 |
|
| 2015 |
Lo CY, McMahon CM, Looi V, Thompson WF. Melodic Contour Training and Its Effect on Speech in Noise, Consonant Discrimination, and Prosody Perception for Cochlear Implant Recipients. Behavioural Neurology. 2015: 352869. PMID 26494944 DOI: 10.1155/2015/352869 |
0.331 |
|
| 2015 |
Marin MM, Thompson WF, Gingras B, Stewart L. Affective evaluation of simultaneous tone combinations in congenital amusia. Neuropsychologia. 78: 207-20. PMID 26455803 DOI: 10.1016/J.Neuropsychologia.2015.10.004 |
0.351 |
|
| 2015 |
Lu X, Ho HT, Liu F, Wu D, Thompson WF. Intonation processing deficits of emotional words among Mandarin Chinese speakers with congenital amusia: an ERP study. Frontiers in Psychology. 6: 385. PMID 25914659 DOI: 10.3389/Fpsyg.2015.00385 |
0.349 |
|
| 2015 |
Gelding RW, Thompson WF, Johnson BW. The Pitch Imagery Arrow Task: effects of musical training, vividness, and mental control. Plos One. 10: e0121809. PMID 25807078 DOI: 10.1371/Journal.Pone.0121809 |
0.381 |
|
| 2015 |
Livingstone SR, Thompson WF, Wanderley MM, Palmer C. Common cues to emotion in the dynamic facial expressions of speech and song. Quarterly Journal of Experimental Psychology (2006). 68: 952-70. PMID 25424388 DOI: 10.1080/17470218.2014.971034 |
0.35 |
|
| 2015 |
Russo FA, Thompson WF, Cuddy LL. Effects of Emergent-Level Structure on Melodic Processing Difficulty Music Perception. 33: 96-109. DOI: 10.1525/Mp.2015.33.1.96 |
0.711 |
|
| 2014 |
Braun Janzen T, Thompson WF, Ammirante P, Ranvaud R. Timing skills and expertise: discrete and continuous timed movements among musicians and athletes. Frontiers in Psychology. 5: 1482. PMID 25566154 DOI: 10.3389/Fpsyg.2014.01482 |
0.308 |
|
| 2014 |
Braun Janzen T, Thompson WF, Ranvaud R. A developmental study of the effect of music training on timed movements. Frontiers in Human Neuroscience. 8: 801. PMID 25346677 DOI: 10.3389/Fnhum.2014.00801 |
0.319 |
|
| 2014 |
Quinto LR, Thompson WF, Kroos C, Palmer C. Singing emotionally: a study of pre-production, production, and post-production facial expressions. Frontiers in Psychology. 5: 262. PMID 24808868 DOI: 10.3389/Fpsyg.2014.00262 |
0.317 |
|
| 2014 |
Quinto L, Thompson WF, Taylor A. The contributions of compositional structure and performance expression to the communication of emotion in music Psychology of Music. 42: 503-524. DOI: 10.1177/0305735613482023 |
0.307 |
|
| 2013 |
Quinto L, Thompson WF, Keating FL. Emotional communication in speech and music: the role of melodic and rhythmic contrasts. Frontiers in Psychology. 4: 184. PMID 23630507 DOI: 10.3389/Fpsyg.2013.00184 |
0.351 |
|
| 2013 |
Quinto L, Thompson WF. Composers and performers have different capacities to manipulate arousal and valence. Psychomusicology: Music, Mind, and Brain. 23: 137-150. DOI: 10.1037/A0034775 |
0.342 |
|
| 2012 |
Thompson WF, Marin MM, Stewart L. Reduced sensitivity to emotional prosody in congenital amusia rekindles the musical protolanguage hypothesis. Proceedings of the National Academy of Sciences of the United States of America. 109: 19027-32. PMID 23112175 DOI: 10.1073/Pnas.1210344109 |
0.323 |
|
| 2012 |
Peter V, McArthur G, Thompson WF. Discrimination of stress in speech and music: a mismatch negativity (MMN) study. Psychophysiology. 49: 1590-600. PMID 23066846 DOI: 10.1111/J.1469-8986.2012.01472.X |
0.326 |
|
| 2012 |
Thompson WF, Peter V, Olsen KN, Stevens CJ. The effect of intensity on relative pitch. Quarterly Journal of Experimental Psychology (2006). 65: 2054-72. PMID 22650967 DOI: 10.1080/17470218.2012.678369 |
0.374 |
|
| 2012 |
Liu F, Jiang C, Thompson WF, Xu Y, Yang Y, Stewart L. The mechanism of speech processing in congenital amusia: evidence from Mandarin speakers. Plos One. 7: e30374. PMID 22347374 DOI: 10.1371/Journal.Pone.0030374 |
0.364 |
|
| 2012 |
Quinto L, Thompson WF. Composing by Listening International Journal of Synthetic Emotions. 3: 48-67. DOI: 10.4018/Jse.2012070103 |
0.353 |
|
| 2012 |
Vuoskoski JK, Thompson WF, McIlwain D, Eerola T. Who enjoys listening to sad music and why? Music Perception. 29: 311-317. DOI: 10.1525/Mp.2012.29.3.311 |
0.346 |
|
| 2012 |
Thompson WF, Schellenberg EG, Letnic AK. Fast and loud background music disrupts reading comprehension Psychology of Music. 40: 700-708. DOI: 10.1177/0305735611400173 |
0.388 |
|
| 2012 |
Fassbender E, Richards D, Bilgin A, Thompson WF, Heiden W. VirSchool: The effect of background music and immersive display systems on memory for facts learned in an educational virtual environment Computers and Education. 58: 490-500. DOI: 10.1016/J.Compedu.2011.09.002 |
0.306 |
|
| 2011 |
Mak-Fan KM, Thompson WF, Green RE. Visual search for schematic emotional faces risks perceptual confound. Cognition & Emotion. 25: 573-84. PMID 21547761 DOI: 10.1080/02699931.2010.500159 |
0.331 |
|
| 2011 |
Ammirante P, Thompson WF, Russo FA. Ideomotor effects of pitch on continuation tapping. Quarterly Journal of Experimental Psychology (2006). 64: 381-93. PMID 20694921 DOI: 10.1080/17470218.2010.495408 |
0.653 |
|
| 2011 |
Ilie G, Thompson WF. Experiential and cognitive changes following seven minutes exposure to music and speech Music Perception. 28: 247-264. DOI: 10.1525/Mp.2011.28.3.247 |
0.387 |
|
| 2011 |
Eisenberg J, Thompson WF. The effects of competition on improvisers' motivation, stress, and creative performance Creativity Research Journal. 23: 129-136. DOI: 10.1080/10400419.2011.571185 |
0.749 |
|
| 2010 |
Quinto L, Thompson WF, Russo FA, Trehub SE. A comparison of the McGurk effect for spoken and sung syllables. Attention, Perception & Psychophysics. 72: 1450-4. PMID 20675792 DOI: 10.3758/App.72.6.1450 |
0.608 |
|
| 2010 |
Thompson WF, Russo FA, Livingstone SR. Facial expressions of singers influence perceived pitch relations. Psychonomic Bulletin & Review. 17: 317-22. PMID 20551352 DOI: 10.3758/Pbr.17.3.317 |
0.648 |
|
| 2010 |
Ammirante P, Thompson WF. Melodic Accent as an Emergent Property of Tonal Motion Empirical Musicology Review. 5: 94-107. DOI: 10.18061/1811/47559 |
0.339 |
|
| 2010 |
Livingstone SR, Muhlberger R, Brown AR, Thompson WF. Changing musical emotion: A computational rule system for modifying score and performance Computer Music Journal. 34: 41-64. DOI: 10.1162/Comj.2010.34.1.41 |
0.332 |
|
| 2009 |
Prince JB, Thompson WF, Schmuckler MA. Pitch and time, tonality and meter: how do musical dimensions combine? Journal of Experimental Psychology. Human Perception and Performance. 35: 1598-617. PMID 19803659 DOI: 10.1037/A0016456 |
0.754 |
|
| 2009 |
Prince JB, Schmuckler MA, Thompson WF. The effect of task and pitch structure on pitch-time interactions in music. Memory & Cognition. 37: 368-81. PMID 19246351 DOI: 10.3758/Mc.37.3.368 |
0.745 |
|
| 2009 |
Livingstone SR, Thompson WF, Russo FA. Facial expressions and emotional singing: A study of perception and production with motion capture and electromyography Music Perception. 26: 475-488. DOI: 10.1525/Mp.2009.26.5.475 |
0.606 |
|
| 2009 |
Prince JB, Schmuckler MA, Thompson WF. Cross-modal melodic contour similarity Canadian Acoustics - Acoustique Canadienne. 37: 35-49. |
0.678 |
|
| 2008 |
Richards D, Fassbender E, Bilgin A, Thompson WF. An investigation of the role of background music in IVWs for learning Research in Learning Technology. 16. DOI: 10.3402/Rlt.V16I3.10901 |
0.312 |
|
| 2008 |
Thompson WF, Russo FA, Quinto L. Audio-visual integration of emotional cues in song Cognition and Emotion. 22: 1457-1470. DOI: 10.1080/02699930701813974 |
0.634 |
|
| 2007 |
Thompson WF, Russo FA. Facing the music. Psychological Science. 18: 756-7. PMID 17760767 DOI: 10.1111/J.1467-9280.2007.01973.X |
0.625 |
|
| 2007 |
Russo FA, Cuddy LL, Galembo A, Thompson WF. Sensitivity to tonality across the pitch range. Perception. 36: 781-90. PMID 17624122 DOI: 10.1068/P5435 |
0.721 |
|
| 2006 |
Ilie G, Thompson WF. A comparison of acoustic cues in music and speech for three dimensions of affect Music Perception. 23: 319-330. DOI: 10.1525/Mp.2006.23.4.319 |
0.366 |
|
| 2006 |
Thompson WF, Balkwill LL. Decoding speech prosody in five languages Semiotica. 158: 407-424. DOI: 10.1515/Sem.2006.017 |
0.323 |
|
| 2005 |
Russo FA, Thompson WF. The subjective size of melodic intervals over a two-octave range. Psychonomic Bulletin & Review. 12: 1068-75. PMID 16615330 DOI: 10.3758/Bf03206445 |
0.615 |
|
| 2005 |
Russo FA, Thompson WF. An interval size illusion: the influence of timbre on the perceived size of melodic intervals. Perception & Psychophysics. 67: 559-68. PMID 16134451 DOI: 10.3758/Bf03193514 |
0.636 |
|
| 2005 |
Thompson WF, Graham P, Russo FA. Seeing music performance: Visual influences on perception and experience Semiotica. 156: 203-227. DOI: 10.1515/Semi.2005.2005.156.203 |
0.615 |
|
| 2005 |
Thompson WF, Graham P, Russo FA. Seeing music performance: Visual influences on perception and experience Semiotica. 2005. DOI: 10.1515/semi.2005.2005.156.203 |
0.581 |
|
| 2004 |
Thompson WF, Schellenberg EG, Husain G. Decoding speech prosody: do music lessons help? Emotion (Washington, D.C.). 4: 46-64. PMID 15053726 DOI: 10.1037/1528-3542.4.1.46 |
0.345 |
|
| 2004 |
Green RE, Turner GR, Thompson WF. Deficits in facial emotion perception in adults with recent traumatic brain injury. Neuropsychologia. 42: 133-41. PMID 14644100 DOI: 10.1016/J.Neuropsychologia.2003.07.005 |
0.304 |
|
| 2004 |
Balkwill LL, Thompson WF, Matsunaga R. Recognition of emotion in Japanese, Western, and Hindustani music by Japanese listeners Japanese Psychological Research. 46: 337-349. DOI: 10.1111/J.1468-5584.2004.00265.X |
0.354 |
|
| 2003 |
Thompson WF, Schellenberg EG, Husain G. Perceiving prosody in speech. Effects of music lessons. Annals of the New York Academy of Sciences. 999: 530-2. PMID 14681180 DOI: 10.1196/Annals.1284.067 |
0.355 |
|
| 2003 |
Jamieson RK, Thompson WF, Cuddy LL, Mewhort DJ. Do conjunction errors in auditory recognition imply feature migration? Canadian Journal of Experimental Psychology = Revue Canadienne De Psychologie Expã©Rimentale. 57: 125-30. PMID 12822841 DOI: 10.1037/H0087418 |
0.628 |
|
| 2003 |
Eisenberg J, Thompson WF. A Matter of Taste: Evaluating Improvised Music Creativity Research Journal. 15: 287-296. DOI: 10.1207/S15326934Crj152 |
0.757 |
|
| 2002 |
Husain G, Thompson WF, Schellenberg EG. Effects of Musical Tempo and Mode on Arousal, Mood, and Spatial Abilities Music Perception. 20: 151-171. DOI: 10.1525/Mp.2002.20.2.151 |
0.309 |
|
| 2001 |
Thompson WF, Schellenberg EG, Husain G. Arousal, mood, and the Mozart effect. Psychological Science. 12: 248-51. PMID 11437309 DOI: 10.1111/1467-9280.00345 |
0.374 |
|
| 2001 |
Ranvaud R, Thompson WF, Silveira-Moriyama L, Balkwill LL. The speed of pitch resolution in a musical context. The Journal of the Acoustical Society of America. 109: 3021-30. PMID 11425144 DOI: 10.1121/1.1367254 |
0.35 |
|
| 2001 |
Thompson WF, Hall MD, Pressing J. Illusory conjunctions of pitch and duration in unfamiliar tone sequences. Journal of Experimental Psychology. Human Perception and Performance. 27: 128-40. PMID 11248928 DOI: 10.1037//0096-1523.27.1.128 |
0.326 |
|
| 1999 |
Balkwill LL, Thompson WF. A cross-cultural investigation of the perception of emotion in music: Psychophysical and cultural cues Music Perception. 17: 43-64. DOI: 10.2307/40285811 |
0.344 |
|
| 1998 |
Thompson WF, Diamond CTP, Balkwill LL. The adjudication of six performances of a Chopin Etude: A study of expert knowledge Psychology of Music. 26: 154-174. DOI: 10.1177/0305735698262004 |
0.316 |
|
| 1997 |
Thompson WF, Cuddy LL, Plaus C. Expectancies generated by melodic intervals: evaluation of principles of melodic implication in a melody-completion task. Perception & Psychophysics. 59: 1069-76. PMID 9360479 DOI: 10.3758/Bf03205521 |
0.622 |
|
| 1997 |
Thompson WF, Cuddy LL. Music performance and the perception of key. Journal of Experimental Psychology. Human Perception and Performance. 23: 116-35. PMID 9090149 DOI: 10.1037//0096-1523.23.1.116 |
0.645 |
|
| 1997 |
Thompson WF, Parncutt R. Perceptual Judgments of Triads and Dyads: Assessment of a Psychoacoustic Model Music Perception. 14: 263-280. DOI: 10.2307/40285721 |
0.316 |
|
| 1996 |
Thompson WF, Stainton M. Musical stability and melodic implication. The Journal of the Acoustical Society of America. 99: 2481-2500. DOI: 10.1121/1.415576 |
0.311 |
|
| 1994 |
Thompson WF. Sensitivity to combinations of musical parameters: pitch with duration, and pitch pattern with durational pattern. Perception & Psychophysics. 56: 363-74. PMID 7971136 DOI: 10.3758/Bf03209770 |
0.37 |
|
| 1994 |
Thompson WF, Russo FA, Sinclair D. Effects of underscoring on the perception of closure in filmed events. Psychomusicology: a Journal of Research in Music Cognition. 13: 9-27. DOI: 10.1037/H0094103 |
0.558 |
|
| 1993 |
Thompson WF. Modeling perceived relationships between melody, harmony, and key. Perception & Psychophysics. 53: 13-24. PMID 8433901 DOI: 10.3758/Bf03211711 |
0.349 |
|
| 1993 |
Thompson WF, Sinclair D. Pitch pattern, durational pattern, and timbre: A study of the perceptual integration of auditory qualities. Psychomusicology: a Journal of Research in Music Cognition. 12: 3-21. DOI: 10.1037/H0094121 |
0.301 |
|
| 1992 |
Thompson WF, Mor S. A perceptual investigation of polytonality. Psychological Research. 54: 60-71. PMID 1620799 DOI: 10.1007/Bf00937134 |
0.39 |
|
| 1992 |
Cuddy LL, Thompson WF. Asymmetry of perceived key movement in chorale sequences: converging evidence from a probe-tone analysis. Psychological Research. 54: 51-9. PMID 1620798 DOI: 10.1007/Bf00937133 |
0.627 |
|
| 1992 |
Thompson WF, Cuddy LL. Perceived Key Movement in Four-Voice Harmony and Single Voices Music Perception. 9: 427-438. DOI: 10.2307/40285563 |
0.638 |
|
| 1992 |
Thompson WF, Robitaille B. Can Composers Express Emotions through Music? Empirical Studies of the Arts. 10: 79-89. DOI: 10.2190/Nbny-Akdk-Gw58-Mtel |
0.301 |
|
| 1989 |
Thompson WF, Cuddy LL. Sensitivity to Key Change in Chorale Sequences: A Comparison of Single Voices and Four-Voice Harmony Music Perception. 7: 151-168. DOI: 10.2307/40285455 |
0.659 |
|
| 1989 |
Thompson WF, Sundberg J, Friberg A, Fryden L. Rules for Expression in the Performance of Melodies Psychology of Music. 17: 63-82. DOI: 10.1177/0305735689171006 |
0.354 |
|
| 1985 |
Thompson WF, Cuddy LL. Tonal implications of musical chords The Journal of the Acoustical Society of America. 78: S64-S64. DOI: 10.1121/1.2022929 |
0.658 |
|
| 1985 |
Thompson WF, Cuddy LL, Frost BJ. Opponent processes in vowel perception. Canadian Journal of Psychology/Revue Canadienne De Psychologie. 39: 1-15. DOI: 10.1037/H0080112 |
0.665 |
|
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