| Year |
Citation |
Score |
| 2013 |
Sievers B, Polansky L, Casey M, Wheatley T. Music and movement share a dynamic structure that supports universal expressions of emotion. Proceedings of the National Academy of Sciences of the United States of America. 110: 70-5. PMID 23248314 DOI: 10.1073/Pnas.1209023110 |
0.447 |
|
| 2011 |
Polansky L, Barnett A, Winter M. A few more words about James Tenney: Dissonant counterpoint and statistical feedback Journal of Mathematics and Music. 5: 63-82. DOI: 10.1080/17459737.2011.614732 |
0.33 |
|
| 1998 |
Body J, Suhendi, Satya D, Roesli, Nano S, Diamond J, Polansky L, Sukerta PM, Sadra IW, Subono B, Sidarta OB. New Music of Indonesia Ethnomusicology. 42: 184. DOI: 10.2307/852840 |
0.332 |
|
| 1997 |
Polansky L. Cocks Crow, Dogs Bark: New Compositional Intentions Leonardo Music Journal. 7: 61-71. DOI: 10.2307/1513247 |
0.462 |
|
| 1994 |
Polansky L. Live Interactive Computer Music in HMSL, 1984-1992 Computer Music Journal. 18: 59. DOI: 10.2307/3680444 |
0.347 |
|
| 1993 |
Nelson S, Polansky L. The Music of the Voyager Interstellar Record Journal of Applied Communication Research. 21: 358-376. DOI: 10.1080/00909889309365379 |
0.367 |
|
| 1992 |
Polansky L, Bassein R. Possible and Impossible Melody: Some Formal Aspects of Contour Journal of Music Theory. 36: 259. DOI: 10.2307/843933 |
0.315 |
|
| 1991 |
Polansky L. A Review of Ruth Crawford Seeger: Memoirs, Memories, Music by Matilda Guame Leonardo. 24: 293-297. DOI: 10.2307/1575570 |
0.303 |
|
| 1991 |
Polansky L. The Future of Music/The Future of Leonardo Leonardo Music Journal. 1: 1-1. DOI: 10.2307/1513111 |
0.367 |
|
| 1990 |
Polansky L, Burk P, Rosenboom D. HMSL (Hierarchical Music Specification Language): A Theoretical Overview Perspectives of New Music. 28: 136. DOI: 10.2307/833016 |
0.301 |
|
| 1990 |
Polansky L. A Review of The Music of Ben Johnston by Heidi Von Gunden Leonardo. 23: 67-69. DOI: 10.2307/1578467 |
0.323 |
|
| 1990 |
Begault DR, Polansky L. The Composition of Auditory Space: Recent Developments in Headphone Music Leonardo. 23: 45-52. DOI: 10.2307/1578465 |
0.364 |
|
| 1990 |
Feldman A, Polansky L. Collaboration: Tap Scored and Notes on the Three Monk Tunes for Tap Dancer Leonardo. 23: 377-383. DOI: 10.2307/1575338 |
0.352 |
|
| 1988 |
Polansky L. Being a Composer in America Perspectives of New Music. 26: 213. DOI: 10.2307/833322 |
0.316 |
|
| 1987 |
Polansky L. Paratactical Tuning: An Agenda for the Use of Computers in Experimental Intonation Computer Music Journal. 11: 61. DOI: 10.2307/3680178 |
0.314 |
|
| 1987 |
Polansky L, Rosenboom D, Horton J, Perkis T, Goldstein M, Corner P. The Future of Music Leonardo. 20: 363-365. DOI: 10.2307/1578533 |
0.413 |
|
| 1987 |
Polansky L, Levin J. The Mills College Center for Contemporary Music's Seminar in Formal Methods Series: A Documentary Survey Leonardo. 20: 155-163. DOI: 10.2307/1578332 |
0.334 |
|
| 1983 |
Polansky L, Rosenboom D. Interview with David Rosenboom Computer Music Journal. 7: 40. DOI: 10.2307/3679532 |
0.319 |
|
| 1980 |
Tenney J, Polansky L. Temporal Gestalt Perception in Music Journal of Music Theory. 24: 205. DOI: 10.2307/843503 |
0.336 |
|
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