| Year |
Citation |
Score |
| 2020 |
Lantz ME, Cui AX, Cuddy LL. The role of duration and frequency of occurrence in perceived pitch structure. Plos One. 15: e0239582. PMID 32956428 DOI: 10.1371/Journal.Pone.0239582 |
0.745 |
|
| 2016 |
Cui AX, Diercks C, Troje NF, Cuddy LL. Short and long term representation of an unfamiliar tone distribution. Peerj. 4: e2399. PMID 27635355 DOI: 10.7717/Peerj.2399 |
0.366 |
|
| 2016 |
Cuddy LL. Introduction to the Second Special Issue of Music Perception on BKN25: Milestones in Music Cognition Music Perception. 33: 273-273. DOI: 10.1525/Mp.2016.33.3.273 |
0.363 |
|
| 2015 |
Sikka R, Cuddy LL, Johnsrude IS, Vanstone AD. An fMRI comparison of neural activity associated with recognition of familiar melodies in younger and older adults. Frontiers in Neuroscience. 9: 356. PMID 26500480 DOI: 10.3389/Fnins.2015.00356 |
0.303 |
|
| 2015 |
Cui AX, Collett MJ, Troje NF, Cuddy LL. Familiarity and preference for pitch probability profiles. Cognitive Processing. 16: 211-8. PMID 25838257 DOI: 10.1007/S10339-015-0651-7 |
0.36 |
|
| 2015 |
Vanstone AD, Wolf M, Poon T, Cuddy LL. Measuring engagement with music: development of an informant-report questionnaire. Aging & Mental Health. 1-11. PMID 25811870 DOI: 10.1080/13607863.2015.1021750 |
0.317 |
|
| 2015 |
Cuddy LL, Sikka R, Vanstone A. Preservation of musical memory and engagement in healthy aging and Alzheimer's disease. Annals of the New York Academy of Sciences. 1337: 223-31. PMID 25773638 DOI: 10.1111/Nyas.12617 |
0.318 |
|
| 2015 |
Russo FA, Thompson WF, Cuddy LL. Effects of Emergent-Level Structure on Melodic Processing Difficulty Music Perception. 33: 96-109. DOI: 10.1525/Mp.2015.33.1.96 |
0.661 |
|
| 2013 |
Lantz ME, Kim J, Cuddy LL. Perception of a tonal hierarchy derived from Korean music Psychology of Music. 42: 580-598. DOI: 10.1177/0305735613483847 |
0.754 |
|
| 2010 |
Vanstone AD, Cuddy LL. Musical memory in Alzheimer disease. Neuropsychology, Development, and Cognition. Section B, Aging, Neuropsychology and Cognition. 17: 108-28. PMID 19657762 DOI: 10.1080/13825580903042676 |
0.307 |
|
| 2009 |
Vanstone AD, Cuddy LL, Duffin JM, Alexander E. Exceptional preservation of memory for tunes and lyrics: case studies of amusia, profound deafness, and Alzheimer's disease. Annals of the New York Academy of Sciences. 1169: 291-4. PMID 19673796 DOI: 10.1111/J.1749-6632.2009.04763.X |
0.32 |
|
| 2008 |
Trimmer CG, Cuddy LL. Emotional intelligence, not music training, predicts recognition of emotional speech prosody. Emotion (Washington, D.C.). 8: 838-49. PMID 19102595 DOI: 10.1037/A0014080 |
0.344 |
|
| 2008 |
Hébert S, Béland R, Beckett E, Cuddy LL, Peretz I, Wolforth J. A case study of music and text dyslexia Music Perception. 25: 369-381. DOI: 10.1525/Mp.2008.25.4.369 |
0.363 |
|
| 2007 |
Russo FA, Cuddy LL, Galembo A, Thompson WF. Sensitivity to tonality across the pitch range. Perception. 36: 781-90. PMID 17624122 DOI: 10.1068/P5435 |
0.671 |
|
| 2007 |
Balkwill L, Cuddy L. Recognition of emotion in music and speech from Western and Non-Western cultures: Implications of judgment accuracy in a case of Amusia and Aprosodia Brain and Cognition. 63: 197. DOI: 10.1016/J.Bandc.2006.08.020 |
0.304 |
|
| 2006 |
Hébert S, Cuddy LL. Music-reading deficiencies and the brain Advances in Cognitive Psychology. 2: 199-206. DOI: 10.2478/V10053-008-0055-7 |
0.351 |
|
| 2005 |
Cuddy LL, Balkwill LL, Peretz I, Holden RR. Musical difficulties are rare: a study of "tone deafness" among university students. Annals of the New York Academy of Sciences. 1060: 311-24. PMID 16597781 DOI: 10.1196/Annals.1360.026 |
0.363 |
|
| 2005 |
Cuddy LL, Duffin J. Music, memory, and Alzheimer's disease: is music recognition spared in dementia, and how can it be assessed? Medical Hypotheses. 64: 229-35. PMID 15607545 DOI: 10.1016/J.Mehy.2004.09.005 |
0.374 |
|
| 2003 |
Nicholson KG, Baum S, Kilgour A, Koh CK, Munhall KG, Cuddy LL. Impaired processing of prosodic and musical patterns after right hemisphere damage. Brain and Cognition. 52: 382-9. PMID 12907182 DOI: 10.1016/S0278-2626(03)00182-9 |
0.768 |
|
| 2003 |
Jamieson RK, Thompson WF, Cuddy LL, Mewhort DJ. Do conjunction errors in auditory recognition imply feature migration? Canadian Journal of Experimental Psychology = Revue Canadienne De Psychologie Expã©Rimentale. 57: 125-30. PMID 12822841 DOI: 10.1037/H0087418 |
0.527 |
|
| 2003 |
RUSSO FA, WINDELL DL, CUDDY LL. Learning the ““Special Note””: Evidence for a Critical Period for Absolute Pitch Acquisition Music Perception. 21: 119-127. DOI: 10.1525/Mp.2003.21.1.119 |
0.598 |
|
| 2003 |
Jakobson LS, Cuddy LL, Kilgour AR. Time Tagging: A Key to Musicians' Superior Memory Music Perception. 20: 307-313. DOI: 10.1525/Mp.2003.20.3.307 |
0.375 |
|
| 2002 |
Hébert S, Cuddy LL. Detection of metric structure in auditory figural patterns. Perception & Psychophysics. 64: 909-18. PMID 12269298 DOI: 10.3758/Bf03196795 |
0.371 |
|
| 2002 |
Nicholson KG, Baum S, Cuddy LL, Munhall KG. A case of impaired auditory and visual speech prosody perception after right hemisphere damage. Neurocase. 8: 314-22. PMID 12221144 DOI: 10.1076/Neur.8.3.314.16195 |
0.345 |
|
| 2001 |
Steinke WR, Cuddy LL, Jakobson LS. Dissociations among functional subsystems governing melody recognition after right-hemisphere damage. Cognitive Neuropsychology. 18: 411-37. PMID 20945223 DOI: 10.1080/02643290125702 |
0.753 |
|
| 2001 |
Galembo A, Askenfelt A, Cuddy LL, Russo FA. Effects of relative phases on pitch and timbre in the piano bass range. The Journal of the Acoustical Society of America. 110: 1649-66. PMID 11572374 DOI: 10.1121/1.1391246 |
0.568 |
|
| 2001 |
Rousseau L, Hébert S, Cuddy LL. Impaired short temporal interval discrimination in a dyslexic adult Brain and Cognition. 46: 249-254. PMID 11527342 DOI: 10.1016/S0278-2626(01)80077-4 |
0.322 |
|
| 2001 |
Koh CK, Cuddy LL, Jakobson LS. Associations and dissociations among music training, tonal and temporal order processing, and cognitive skills. Annals of the New York Academy of Sciences. 930: 386-8. PMID 11458845 DOI: 10.1111/J.1749-6632.2001.Tb05748.X |
0.757 |
|
| 2000 |
Kilgour AR, Jakobson LS, Cuddy LL. Music training and rate of presentation as mediators of text and song recall. Memory & Cognition. 28: 700-10. PMID 10983443 DOI: 10.3758/Bf03198404 |
0.397 |
|
| 1999 |
Russo FA, Cuddy LL. A common origin for vocal accuracy and melodic expectancy: Vocal constraints The Journal of the Acoustical Society of America. 105: 1217-1217. DOI: 10.1121/1.425870 |
0.644 |
|
| 1999 |
Galembo A, Askenfelt A, Cuddy LL. On the effect of phase relations for the perception of pitch and timbre of bass tones The Journal of the Acoustical Society of America. 105: 1217-1217. DOI: 10.1121/1.425867 |
0.374 |
|
| 1998 |
Askenfelt A, Galembo A, Cuddy LL. On the acoustics and psychology of piano touch and tone The Journal of the Acoustical Society of America. 103: 2873-2873. DOI: 10.1121/1.421527 |
0.322 |
|
| 1997 |
Steinke WR, Cuddy LL, Holden RR. Dissociation of musical tonality and pitch memory from nonmusical cognitive abilities. Canadian Journal of Experimental Psychology = Revue Canadienne De Psychologie ExpéRimentale. 51: 316-34. PMID 9687195 |
0.755 |
|
| 1997 |
Thompson WF, Cuddy LL, Plaus C. Expectancies generated by melodic intervals: evaluation of principles of melodic implication in a melody-completion task. Perception & Psychophysics. 59: 1069-76. PMID 9360479 DOI: 10.3758/Bf03205521 |
0.534 |
|
| 1997 |
Thompson WF, Cuddy LL. Music performance and the perception of key. Journal of Experimental Psychology. Human Perception and Performance. 23: 116-35. PMID 9090149 DOI: 10.1037//0096-1523.23.1.116 |
0.526 |
|
| 1997 |
Cuddy LL, Smith NA. Sensitivity to key movement in a Beethoven excerpt: Theory and evidence The Journal of the Acoustical Society of America. 101: 3166-3166. DOI: 10.1121/1.419174 |
0.337 |
|
| 1995 |
Oram N, Cuddy LL. Responsiveness of Western adults to pitch-distributional information in melodic sequences. Psychological Research. 57: 103-18. PMID 7708896 DOI: 10.1007/Bf00447080 |
0.422 |
|
| 1995 |
Cuddy LL, Lunney CA. Expectancies generated by melodic intervals: perceptual judgments of melodic continuity. Perception & Psychophysics. 57: 451-62. PMID 7596743 DOI: 10.3758/Bf03213071 |
0.43 |
|
| 1994 |
Smith KC, Cuddy LL, Upitis R. Figural and Metric Understanding of Rhythm Psychology of Music. 22: 117-135. DOI: 10.1177/0305735694222002 |
0.348 |
|
| 1993 |
Steinke WR, Cuddy LL, Holden RR. Abstraction of musical tonality The Journal of the Acoustical Society of America. 93: 2402-2403. DOI: 10.1121/1.406010 |
0.746 |
|
| 1993 |
Cuddy LL. Sensitivity to duration and frequency of occurrence of tones in music The Journal of the Acoustical Society of America. 93: 2401-2402. DOI: 10.1121/1.406005 |
0.399 |
|
| 1992 |
Cuddy LL, Thompson WF. Asymmetry of perceived key movement in chorale sequences: converging evidence from a probe-tone analysis. Psychological Research. 54: 51-9. PMID 1620798 DOI: 10.1007/Bf00937133 |
0.549 |
|
| 1992 |
Thompson WF, Cuddy LL. Perceived Key Movement in Four-Voice Harmony and Single Voices Music Perception. 9: 427-438. DOI: 10.2307/40285563 |
0.555 |
|
| 1991 |
Cuddy LL. Melodic patterns and tonal structure: Converging evidence. Psychomusicology: a Journal of Research in Music Cognition. 10: 107-126. DOI: 10.1037/H0094138 |
0.365 |
|
| 1989 |
Smith KC, Cuddy LL. Effects of metric and harmonic rhythm on the detection of pitch alterations in melodic sequences. Journal of Experimental Psychology. Human Perception and Performance. 15: 457-71. PMID 2527955 DOI: 10.1037//0096-1523.15.3.457 |
0.399 |
|
| 1989 |
Thompson WF, Cuddy LL. Sensitivity to Key Change in Chorale Sequences: A Comparison of Single Voices and Four-Voice Harmony Music Perception. 7: 151-168. DOI: 10.2307/40285455 |
0.568 |
|
| 1989 |
Oram N, Cuddy LL. Perception of pitch structure in pure‐tone melodic sequences The Journal of the Acoustical Society of America. 85: S37-S37. DOI: 10.1121/1.2026938 |
0.37 |
|
| 1987 |
Cuddy LL, Badertscher B. Recovery of the tonal hierarchy: some comparisons across age and levels of musical experience. Perception & Psychophysics. 41: 609-20. PMID 3615155 DOI: 10.3758/Bf03210493 |
0.341 |
|
| 1986 |
Smith KC, Cuddy LL. The Pleasingness of Melodic Sequences: Contrasting Effects of Repetition and Rule-familiarity Psychology of Music. 14: 17-32. DOI: 10.1177/0305735686141002 |
0.389 |
|
| 1985 |
Cuddy LL. The Color of Melody Music Perception. 2: 345-360. DOI: 10.2307/40285303 |
0.389 |
|
| 1985 |
Thompson WF, Cuddy LL. Tonal implications of musical chords The Journal of the Acoustical Society of America. 78: S64-S64. DOI: 10.1121/1.2022929 |
0.542 |
|
| 1985 |
Thompson WF, Cuddy LL, Frost BJ. Opponent processes in vowel perception. Canadian Journal of Psychology/Revue Canadienne De Psychologie. 39: 1-15. DOI: 10.1037/H0080112 |
0.595 |
|
| 1984 |
Cuddy LL, Clynes M. Music, Mind, and Brain: The Neuropsychology of Music The American Journal of Psychology. 97: 142. DOI: 10.2307/1422558 |
0.413 |
|
| 1982 |
Dobbins PA, Cuddy LL. Octave discrimination: an experimental confirmation of the "stretched" subjective octave. The Journal of the Acoustical Society of America. 72: 411-5. PMID 7119283 DOI: 10.1121/1.388093 |
0.367 |
|
| 1982 |
Cuddy LL, Keane DR. Introduction to the Queen's Symposium on Musical Perception Held at Queen's University, Kingston, Ontario: July 14-16, 1981 Canadian University Music Review. 3. DOI: 10.7202/1013823Ar |
0.411 |
|
| 1982 |
Lyons HI, Cuddy LL. Musical modulation and the perceptual structure of tone sequences The Journal of the Acoustical Society of America. 71: S38-S38. DOI: 10.1121/1.2019366 |
0.392 |
|
| 1981 |
Cuddy LL, Cohen AJ, Mewhort DJ. Perception of structure in short melodic sequences. Journal of Experimental Psychology. Human Perception and Performance. 7: 869-83. PMID 6457099 DOI: 10.1037//0096-1523.7.4.869 |
0.408 |
|
| 1981 |
Cuddy LL. Musical rules and pitch judgment The Journal of the Acoustical Society of America. 69: S102-S103. DOI: 10.1121/1.386533 |
0.346 |
|
| 1981 |
Cuddy LL, Lyons HI. Musical pattern recognition: A comparison of listening to and studying tonal structures and tonal ambiguities. Psychomusicology: a Journal of Research in Music Cognition. 1: 15-33. DOI: 10.1037/H0094283 |
0.427 |
|
| 1979 |
Cuddy LL, Cohen AJ, Miller J. Melody recognition: the experimental application of musical rules Canadian Journal of Psychology. 33: 148-157. PMID 519545 DOI: 10.1037/H0081713 |
0.313 |
|
| 1977 |
Cohen AJ, Cuddy LL, Mewhort DJK. Recognition of transposed tone sequences The Journal of the Acoustical Society of America. 61: S87-S88. DOI: 10.1121/1.2015950 |
0.379 |
|
| 1977 |
Dewar KM, Cuddy LL, Mewhort DJ. Recognition memory for single tones with and without context. Journal of Experimental Psychology: Human Learning & Memory. 3: 60-67. DOI: 10.1037//0278-7393.3.1.60 |
0.368 |
|
| 1976 |
Cuddy LL, Cohen AJ. Recognition of Transposed Melodic Sequences Quarterly Journal of Experimental Psychology. 28: 255-270. DOI: 10.1080/14640747608400555 |
0.396 |
|
| 1972 |
Cuddy LL. Absolute judgment of musically-related pure tones. Canadian Journal of Psychology. 25: 42-55. PMID 5157747 DOI: 10.1037/H0082366 |
0.364 |
|
| 1972 |
Cuddy LL. Comment on “Practice effects in the absolute judgment of frequency” by Heller and Auerbach Psychonomic Science. 28: 68-68. DOI: 10.3758/Bf03328662 |
0.363 |
|
| 1972 |
Bull AR, Cuddy LL. Recognition memory for pitch of fixed and roving stimulus tones Perception & Psychophysics. 11: 105-109. DOI: 10.3758/Bf03212696 |
0.324 |
|
| 1970 |
Cuddy LL. Training the absolute identification of pitch Perception & Psychophysics. 8: 265-269. DOI: 10.3758/Bf03212589 |
0.359 |
|
| 1968 |
Cuddy LL. Practice effects in the absolute judgment of pitch. The Journal of the Acoustical Society of America. 43: 1069-76. PMID 5648097 DOI: 10.1121/1.1910941 |
0.354 |
|
| 1965 |
Lindsay PH, Cuddy LL, Tulving E. Absolute judgments of simultaneously presented visual and auditory stimuli Psychonomic Science. 2: 211-212. DOI: 10.3758/BF03343411 |
0.516 |
|
| 1965 |
Cuddy LL. Improved Pitch Perception with Training on a Single Tone The Journal of the Acoustical Society of America. 37: 1193-1193. DOI: 10.1121/1.1939480 |
0.377 |
|
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