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Anya Hurlbert

University of Newcastle, Newcastle upon Tyne, England, United Kingdom 
Visual Perception
"Anya Hurlbert"
Mean distance: 12.5 (cluster 29)


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Peter H. Schiller grad student MIT
Tomaso A. Poggio grad student 1989 MIT
Andrew Parker post-doc 1990-1991 Oxford


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Marina Bloj grad student Newcastle
Jane E. Aspell grad student 1998-2002 Newcastle
Milena Vurro grad student 2006-2010 Newcastle University
Bradley Pearce grad student 2011-2016 Newcastle
Stacey Aston grad student 2014-2017
John Gigg post-doc 1998-2002 University of Newcastle upon Tyne
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Wedge-Roberts R, Aston S, Beierholm U, et al. (2022) Developmental changes in colour constancy in a naturalistic object selection task. Developmental Science. e13306
Aston S, Denisova K, Hurlbert A, et al. (2020) Exploring the Determinants of Color Perception Using #Thedress and Its Variants: The Role of Spatio-Chromatic Context, Chromatic Illumination, and Material-Light Interaction. Perception. 49: 1235-1251
Wedge-Roberts R, Aston S, Beierholm U, et al. (2020) Specular highlights improve color constancy when other cues are weakened. Journal of Vision. 20: 4
Werner JS, Bosten J, Brainard DH, et al. (2020) Color Vision 2020: Introduction by the feature editors. Journal of the Optical Society of America. a, Optics, Image Science, and Vision. 37: CV1-CV2
Aston S, Radonjic A, Brainard DH, et al. (2019) Illumination discrimination for chromatically biased illuminations: Implications for color constancy. Journal of Vision. 19: 15
Kucera J, Gupta G, Scott J, et al. (2019) Cross-Media Colour Matching under Chromatic Lights Journal of Vision. 19: 296c
Hurlbert A, Cuttle C. (2019) New Museum Lighting for People and Paintings Leukos. 16: 1-5
Hurlbert A. (2019) Challenges to color constancy in a contemporary light Current Opinion in Behavioral Sciences. 30: 186-193
Radonjic A, Ding X, Krieger A, et al. (2018) Illumination discrimination in the absence of a fixed surface-reflectance layout. Journal of Vision. 18: 11
Hurlbert A, Gross N, Gupta G. (2018) Finding the right light in the face of colour inconstancy: paintings and preferences Journal of Vision. 18: 892
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