| Year |
Citation |
Score |
| 2020 |
Raman R, Kriegsman MA, Abdi H, Tillmann B, Dowling WJ. Bach, Mozart, and Beethoven: Sorting piano excerpts based on perceived similarity using DiSTATIS New Ideas in Psychology. 57: 100757. DOI: 10.1016/J.Newideapsych.2019.100757 |
0.6 |
|
| 2018 |
Layman SL, Dowling WJ. Did You Hear the Vocalist? Differences in Processing Between Short Segments of Familiar and Unfamiliar Music Music Perception: An Interdisciplinary Journal. 35: 607-621. DOI: 10.1525/Mp.2018.35.5.607 |
0.579 |
|
| 2017 |
Raman R, Dowling WJ. Perception of Modulations in South Indian Classical (Carnātic) Music by Student and Teacher Musicians: A Cross-Cultural Study Music Perception: An Interdisciplinary Journal. 34: 424-437. DOI: 10.1525/Mp.2017.34.4.424 |
0.571 |
|
| 2016 |
Raman R, Dowling WJ. Real-Time Probing of Modulations in South Indian Classical (Carnātic) Music by Indian and Western Musicians Music Perception. 33: 367-393. DOI: 10.1525/Mp.2016.33.3.367 |
0.562 |
|
| 2009 |
Dowling WJ. My Life in Music Cognition Research Psychomusicology: Music, Mind and Brain. 20: 53-63. DOI: 10.1037/H0094224 |
0.322 |
|
| 2008 |
Dowling WJ, Bartlett JC, Halpern AR, Andrews WM. Melody recognition at fast and slow tempos: effects of age, experience, and familiarity. Perception & Psychophysics. 70: 496-502. PMID 18459260 DOI: 10.3758/Pp.70.3.496 |
0.409 |
|
| 2007 |
Tillmann B, Dowling WJ. Memory decreases for prose, but not for poetry. Memory & Cognition. 35: 628-39. PMID 17848021 DOI: 10.3758/Bf03193301 |
0.319 |
|
| 2003 |
Dowling WJ, Tillmann B. Stimulus‐driven and knowledge‐driven processes in attention to warbles The Journal of the Acoustical Society of America. 114: 2330-2330. DOI: 10.1121/1.4781031 |
0.388 |
|
| 2001 |
Dowling WJ, Tillman B, Ayers DF. Memory and the Experience of Hearing Music Music Perception. 19: 249-276. DOI: 10.1525/Mp.2001.19.2.249 |
0.374 |
|
| 1999 |
Dowling WJ. Memory and the experience of time Journal of the Acoustical Society of America. 106: 2234-2234. DOI: 10.1121/1.427601 |
0.365 |
|
| 1999 |
Dowling WJ. Memory for melodies, poetry, faces, and other complicated things Journal of the Acoustical Society of America. 105: 1274-1274. DOI: 10.1121/1.426085 |
0.319 |
|
| 1995 |
Barlett JC, Halpern AR, Dowling WJ. Recognition of familiar and unfamiliar melodies in normal aging and Alzheimer's disease. Memory & Cognition. 23: 531-46. PMID 7476239 DOI: 10.3758/Bf03197255 |
0.308 |
|
| 1991 |
Dowling WJ. Tonal strength and melody recognition after long and short delays. Perception & Psychophysics. 50: 305-13. PMID 1758762 DOI: 10.3758/Bf03212222 |
0.408 |
|
| 1991 |
Andrews MW, Dowling WJ. The Development of Perception of Interleaved Melodies and Control of Auditory Attention Music Perception. 8: 349-368. DOI: 10.2307/40285518 |
0.3 |
|
| 1991 |
Drake C, Dowling WJ, Palmer C. Accent Structures in the Reproduction of Simple Tunes by Children and Adult Pianists Music Perception. 8: 315-334. DOI: 10.2307/40285505 |
0.31 |
|
| 1990 |
Dowling WJ. Expectancy and attention in melody perception. Psychomusicology: a Journal of Research in Music Cognition. 9: 148-160. DOI: 10.1037/H0094150 |
0.309 |
|
| 1989 |
Dowling WJ. Simplicity and complexity in music and cognition Contemporary Music Review. 4: 247-253. DOI: 10.1080/07494468900640331 |
0.319 |
|
| 1988 |
Bartlett JC, Dowling WJ. Scale Structure and Similarity of Melodies Music Perception. 5: 285-314. DOI: 10.2307/40285401 |
0.381 |
|
| 1988 |
Dowling WJ. The cognitive framework for musical scales in various cultures Journal of the Acoustical Society of America. 84. DOI: 10.1121/1.2026117 |
0.338 |
|
| 1988 |
Dowling WJ. Directing attention in pitch and time: Effects on the perception of hidden melodies Journal of the Acoustical Society of America. 83. DOI: 10.1121/1.2025387 |
0.378 |
|
| 1987 |
Dowling WJ, Lung KM, Herrbold S. Aiming attention in pitch and time in the perception of interleaved melodies. Perception & Psychophysics. 41: 642-56. PMID 3615158 DOI: 10.3758/Bf03210496 |
0.379 |
|
| 1986 |
Dowling WJ. Context Effects on Melody Recognition: Scale-Step versus Interval Representations Music Perception. 3: 281-296. DOI: 10.2307/40285338 |
0.416 |
|
| 1984 |
Dowling WJ. Musical experience and tonal scales in the recognition of octave-scrambled melodies. Psychomusicology: a Journal of Research in Music Cognition. 4: 13-32. DOI: 10.1037/H0094206 |
0.374 |
|
| 1984 |
Dowling WJ. Development of Musical Schemata in Children's Spontaneous Singing Advances in Psychology. 19: 145-163. DOI: 10.1016/S0166-4115(08)62350-X |
0.311 |
|
| 1983 |
Dowling WJ. Basic Musical Functions and Musical Ability Music Perception: An Interdisciplinary Journal. 1: 123-127. DOI: 10.2307/40285252 |
0.339 |
|
| 1982 |
Dowling WJ. Chrome and interval in melody recognition: Effects of acquiring a tonal schema Journal of the Acoustical Society of America. 72. DOI: 10.1121/1.2019731 |
0.345 |
|
| 1980 |
Bartlett JC, Dowling WJ. Recognition of transposed melodies: a key-distance effect in developmental perspective. Journal of Experimental Psychology. Human Perception and Performance. 6: 501-15. PMID 6447764 DOI: 10.1037//0096-1523.6.3.501 |
0.411 |
|
| 1978 |
Dowling WJ. Scale and contour: Two components of a theory of memory for melodies Psychological Review. 85: 341-354. DOI: 10.1037/0033-295X.85.4.341 |
0.349 |
|
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