Stephen McAdams, Ph.D. - Publications

Affiliations: 
Music Perception and Cognition Lab McGill University, Montreal, QC, Canada 
Website:
http://mt.music.mcgill.ca/mpcl/people/stephen-mcadams

168 high-probability publications. We are testing a new system for linking publications to authors. You can help! If you notice any inaccuracies, please sign in and mark papers as correct or incorrect matches. If you identify any major omissions or other inaccuracies in the publication list, please let us know.

Year Citation  Score
2023 McAdams S, Thoret E, Wang G, Montrey M. Timbral cues for learning to generalize musical instrument identity across pitch register. The Journal of the Acoustical Society of America. 153: 797. PMID 36859162 DOI: 10.1121/10.0017100  0.8
2022 Reymore L, Beauvais-Lacasse E, Smith BK, McAdams S. Modeling Noise-Related Timbre Semantic Categories of Orchestral Instrument Sounds With Audio Features, Pitch Register, and Instrument Family. Frontiers in Psychology. 13: 796422. PMID 35432090 DOI: 10.3389/fpsyg.2022.796422  0.305
2021 Wang X, Wei Y, Heng L, McAdams S. A Cross-Cultural Analysis of the Influence of Timbre on Affect Perception in Western Classical Music and Chinese Music Traditions. Frontiers in Psychology. 12: 732865. PMID 34659045 DOI: 10.3389/fpsyg.2021.732865  0.345
2021 Kazazis S, Depalle P, McAdams S. Ordinal scaling of timbre-related spectral audio descriptors. The Journal of the Acoustical Society of America. 149: 3785. PMID 34241417 DOI: 10.1121/10.0005058  0.329
2020 Thoret E, Caramiaux B, Depalle P, McAdams S. Learning metrics on spectrotemporal modulations reveals the perception of musical instrument timbre. Nature Human Behaviour. PMID 33257878 DOI: 10.1038/s41562-020-00987-5  0.816
2020 Sears DRW, Spitzer J, Caplin WE, McAdams S. Expecting the end: Continuous expectancy ratings for tonal cadences: Psychology of Music. 48: 358-375. DOI: 10.1177/0305735618803676  0.366
2020 Noble J, McAdams S. Sound mass, auditory perception, and ‘post-tone’ music Journal of New Music Research. 49: 231-251. DOI: 10.1080/09298215.2020.1749673  0.479
2020 Noble J, Bonin T, McAdams S. Experiences of Time and Timelessness in Electroacoustic Music Organised Sound. 25: 232-247. DOI: 10.1017/S135577182000014X  0.343
2019 Lembke S, Parker K, Narmour E, McAdams S. Acoustical correlates of perceptual blend in timbre dyads and triads Musicae Scientiae. 23: 250-274. DOI: 10.1177/1029864917731806  0.353
2019 Goodchild M, Wild J, McAdams S. Exploring emotional responses to orchestral gestures Musicae Scientiae. 23: 25-49. DOI: 10.1177/1029864917704033  0.32
2018 Sears DRW, Pearce MT, Spitzer J, Caplin WE, McAdams S. Expectations for tonal cadences: Sensory and cognitive priming effects. Quarterly Journal of Experimental Psychology (2006). 1747021818814472. PMID 30404574 DOI: 10.1177/1747021818814472  0.386
2018 Taher C, Hasegawa R, McAdams S. Effects of Musical Context on the Recognition of Musical Motives During Listening Music Perception: An Interdisciplinary Journal. 36: 77-97. DOI: 10.1525/Mp.2018.36.1.77  0.448
2018 Siedenburg K, McAdams S. Short-term Recognition of Timbre Sequences Music Perception: An Interdisciplinary Journal. 36: 24-39. DOI: 10.1525/Mp.2018.36.1.24  0.406
2018 Upham F, McAdams S. Activity Analysis and Coordination in Continuous Responses to Music Music Perception: An Interdisciplinary Journal. 35: 253-294. DOI: 10.1525/Mp.2018.35.3.253  0.357
2018 Thoret E, Caramiaux B, Depalle P, McAdams S. Human dissimilarity ratings of musical instrument timbre: A computational meta-analysis Journal of the Acoustical Society of America. 143: 1745-1746. DOI: 10.1121/1.5035697  0.426
2018 Sears DRW, Pearce MT, Caplin WE, McAdams S. Simulating melodic and harmonic expectations for tonal cadences using probabilistic models Journal of New Music Research. 47: 29-52. DOI: 10.1080/09298215.2017.1367010  0.338
2017 Siedenburg K, McAdams S. Four Distinctions for the Auditory "Wastebasket" of Timbre. Frontiers in Psychology. 8: 1747. PMID 29046659 DOI: 10.3389/Fpsyg.2017.01747  0.363
2017 Thoret E, Depalle P, McAdams S. Perceptually Salient Regions of the Modulation Power Spectrum for Musical Instrument Identification. Frontiers in Psychology. 8: 587. PMID 28450846 DOI: 10.3389/Fpsyg.2017.00587  0.805
2017 McAdams S, Douglas C, Vempala NN. Perception and Modeling of Affective Qualities of Musical Instrument Sounds across Pitch Registers. Frontiers in Psychology. 8: 153. PMID 28228741 DOI: 10.3389/Fpsyg.2017.00153  0.451
2017 Petiot J, Kersaudy P, Scavone G, Mcadams S, Gazengel B. Investigation of the Relationships Between Perceived Qualities and Sound Parameters of Saxophone Reeds Acta Acustica United With Acustica. 103: 812-829. DOI: 10.3813/Aaa.919110  0.349
2017 Lembke S, Levine S, McAdams S. Blending between bassoon and horn players: an analysis of timbral adjustments during musical performance Music Perception: An Interdisciplinary Journal. 35: 144-164. DOI: 10.1525/Mp.2017.35.2.144  0.444
2017 Ogg M, Sears DRW, Marin MM, McAdams S. Psychophysiological Indices of Music-Evoked Emotions in Musicians Music Perception: An Interdisciplinary Journal. 35: 38-59. DOI: 10.1525/Mp.2017.35.1.38  0.36
2017 Chiasson F, Traube C, Lagarrigue C, McAdams S. Koechlin’s volume: Perception of sound extensity among instrument timbres from different families: Musicae Scientiae. 21: 1029864916649638. DOI: 10.1177/1029864916649638  0.379
2017 Plazak J, McAdams S. Perceiving Changes of Sound-Source Size within Musical Tone Pairs Psychomusicology: Music, Mind and Brain. 27: 1-13. DOI: 10.1037/Pmu0000172  0.465
2016 Thoret E, Depalle P, McAdams S. Perceptually salient spectrotemporal modulations for recognition of sustained musical instruments. The Journal of the Acoustical Society of America. 140: EL478. PMID 28039992 DOI: 10.1121/1.4971204  0.792
2016 Hjortkjær J, McAdams S. Spectral and temporal cues for perception of material and action categories in impacted sound sources. The Journal of the Acoustical Society of America. 140: 409. PMID 27475165 DOI: 10.1121/1.4955181  0.799
2016 Siedenburg K, McAdams S. The role of long-term familiarity and attentional maintenance in short-term memory for timbre. Memory (Hove, England). 1-15. PMID 27314886 DOI: 10.1080/09658211.2016.1197945  0.484
2016 Chuen L, Sears D, McAdams S. Psychophysiological responses to auditory change. Psychophysiology. PMID 26927928 DOI: 10.1111/Psyp.12633  0.383
2016 Cao Y, Giordano BL, Avanzini F, McAdams S. The dominance of haptics over audition in controlling wrist velocity during striking movements. Experimental Brain Research. PMID 26790425 DOI: 10.1007/S00221-015-4529-9  0.773
2016 Goodchild M, Gingras B, McAdams S. Analysis, Performance, and Tension Perception of an Unmeasured Prelude for Harpsichord Music Perception: An Interdisciplinary Journal. 34: 1-20. DOI: 10.1525/Mp.2016.34.1.1  0.342
2016 Taher C, Rusch R, McAdams S. Effects of Repetition on Attention in Two-Part Counterpoint Music Perception: An Interdisciplinary Journal. 33: 306-318. DOI: 10.1525/Mp.2016.33.3.306  0.445
2016 Douglas C, Noble J, McAdams S. Auditory Scene Analysis and the Perception of Sound Mass in Ligetis Continuum Music Perception: An Interdisciplinary Journal. 33: 287-305. DOI: 10.1525/Mp.2016.33.3.287  0.472
2016 Siedenburg K, Fujinaga I, McAdams S. A Comparison of Approaches to Timbre Descriptors in Music Information Retrieval and Music Psychology Journal of New Music Research. 45: 27-41. DOI: 10.1080/09298215.2015.1132737  0.347
2016 Siedenburg K, Mativetsky S, McAdams S. Auditory and verbal memory in North Indian tabla drumming. Psychomusicology: Music, Mind, and Brain. 26: 327-336. DOI: 10.1037/Pmu0000163  0.431
2015 Siedenburg K, Jones-Mollerup K, McAdams S. Acoustic and Categorical Dissimilarity of Musical Timbre: Evidence from Asymmetries Between Acoustic and Chimeric Sounds. Frontiers in Psychology. 6: 1977. PMID 26779086 DOI: 10.3389/Fpsyg.2015.01977  0.512
2015 Gingras B, Pearce MT, Goodchild M, Dean RT, Wiggins G, McAdams S. Linking Melodic Expectation to Expressive Performance Timing and Perceived Musical Tension. Journal of Experimental Psychology. Human Perception and Performance. PMID 26594881 DOI: 10.1037/Xhp0000141  0.376
2015 McAdams S, Rozin A, Temperley D. Introduction to the Two Special Issues of Music Perception on BKN25: Milestones in Music Cognition Music Perception: An Interdisciplinary Journal. 33: 1-2. DOI: 10.1525/Mp.2015.33.1.1  0.328
2015 McAdams S, Reynolds R. A Tribute to David Wessel (1942-2014) Consulting Editor for Music Perception, 1983-2008 Music Perception: An Interdisciplinary Journal. 32: 434-436. DOI: 10.1525/Mp.2015.32.4.434  0.451
2014 Egermann H, Fernando N, Chuen L, McAdams S. Music induces universal emotion-related psychophysiological responses: comparing Canadian listeners to Congolese Pygmies. Frontiers in Psychology. 5: 1341. PMID 25620935 DOI: 10.3389/Fpsyg.2014.01341  0.361
2014 Wollman I, Fritz C, Poitevineau J, McAdams S. Investigating the role of auditory and tactile modalities in violin quality evaluation. Plos One. 9: e112552. PMID 25474036 DOI: 10.1371/Journal.Pone.0112552  0.407
2014 Sears D, Caplin WE, McAdams S. Perceiving the classical cadence Music Perception. 31: 397-417. DOI: 10.1525/Mp.2014.31.5.397  0.439
2013 Gingras B, Asselin PY, McAdams S. Individuality in harpsichord performance: disentangling performer- and piece-specific influences on interpretive choices. Frontiers in Psychology. 4: 895. PMID 24348446 DOI: 10.3389/Fpsyg.2013.00895  0.328
2013 Egermann H, Pearce MT, Wiggins GA, McAdams S. Probabilistic models of expectation violation predict psychophysiological emotional responses to live concert music. Cognitive, Affective & Behavioral Neuroscience. 13: 533-53. PMID 23605956 DOI: 10.3758/S13415-013-0161-Y  0.34
2013 Giordano BL, McAdams S, Zatorre RJ, Kriegeskorte N, Belin P. Abstract encoding of auditory objects in cortical activity patterns. Cerebral Cortex (New York, N.Y. : 1991). 23: 2025-37. PMID 22802575 DOI: 10.1093/Cercor/Bhs162  0.817
2013 Egermann H, Mcadams S. Empathy and emotional contagion as a link between recognized and felt emotions in music listening Music Perception. 31: 139-156. DOI: 10.1525/Mp.2013.31.2.139  0.309
2013 Chon SH, McAdams S. Timbre saliency vs. timbre dissimilarity? What is the relationship? Proceedings of Meetings On Acoustics. 19. DOI: 10.1121/1.4806106  0.326
2013 McAdams S. Timbre as a structuring force in music Proceedings of Meetings On Acoustics. 19. DOI: 10.1121/1.4806102  0.429
2013 Petiot J, Kersaudy P, Scavone G, McAdams S, Gazengel B. Modeling of the subjective quality of saxophone reeds Proceedings of Meetings On Acoustics. 19. DOI: 10.1121/1.4805754  0.321
2013 Lembke SA, Narmour E, McAdams S. Predicting blend between orchestral timbres using generalized spectral-envelope descriptions Proceedings of Meetings On Acoustics. 19. DOI: 10.1121/1.4800054  0.427
2013 McAdams S. Musical Timbre Perception The Psychology of Music. 35-67. DOI: 10.1016/B978-0-12-381460-9.00002-X  0.361
2012 Giordano BL, Visell Y, Yao HY, Hayward V, Cooperstock JR, McAdams S. Identification of walked-upon materials in auditory, kinesthetic, haptic, and audio-haptic conditions. The Journal of the Acoustical Society of America. 131: 4002-12. PMID 22559373 DOI: 10.1121/1.3699205  0.809
2012 Tardieu D, McAdams S. Perception of Dyads of Impulsive and Sustained Instrument Sounds Music Perception: An Interdisciplinary Journal. 30: 117-128. DOI: 10.1525/Mp.2012.30.2.117  0.469
2012 Chon SH, McAdams S. Investigation of timbre saliency, the attention-capturing quality of timbre Journal of the Acoustical Society of America. 131: 3433-3433. DOI: 10.1121/1.4708879  0.389
2012 Peters N, McAdams S. A perceptual analysis of off-center sound degradation in surround-sound reproduction based on geometrical properties The Journal of the Acoustical Society of America. 131: 3256-3256. DOI: 10.1121/1.4708156  0.52
2011 Giordano BL, Guastavino C, Murphy E, Ogg M, Smith BK, McAdams S. Comparison of Methods for Collecting and Modeling Dissimilarity Data: Applications to Complex Sound Stimuli. Multivariate Behavioral Research. 46: 779-811. PMID 26736045 DOI: 10.1080/00273171.2011.606748  0.782
2011 Gingras B, Lagrandeur-Ponce T, Giordano BL, McAdams S. Perceiving musical individuality: performer identification is dependent on performer expertise and expressiveness, but not on listener expertise. Perception. 40: 1206-20. PMID 22308890 DOI: 10.1068/P6891  0.78
2011 Peeters G, Giordano BL, Susini P, Misdariis N, McAdams S. The Timbre Toolbox: extracting audio descriptors from musical signals. The Journal of the Acoustical Society of America. 130: 2902-16. PMID 22087919 DOI: 10.1121/1.3642604  0.83
2011 Peters N, Marentakis G, McAdams S. Current technologies and compositional practices for spatialization: A qualitative and quantitative analysis Computer Music Journal. 35: 10-27. DOI: 10.1162/Comj_A_00037  0.343
2011 Gingras B, McAdams S. Improved score-performance matching using both structural and temporal information from MIDI recordings Journal of New Music Research. 40: 43-57. DOI: 10.1080/09298215.2010.545422  0.329
2010 McAdams S, Roussarie V, Chaigne A, Giordano BL. The psychomechanics of simulated sound sources: material properties of impacted thin plates. The Journal of the Acoustical Society of America. 128: 1401-13. PMID 20815474 DOI: 10.1121/1.3466867  0.798
2010 Bonnel A, McAdams S, Smith B, Berthiaume C, Bertone A, Ciocca V, Burack JA, Mottron L. Enhanced pure-tone pitch discrimination among persons with autism but not Asperger syndrome. Neuropsychologia. 48: 2465-75. PMID 20433857 DOI: 10.1016/J.Neuropsychologia.2010.04.020  0.432
2010 Giordano BL, Rocchesso D, McAdams S. Integration of acoustical information in the perception of impacted sound sources: the role of information accuracy and exploitability. Journal of Experimental Psychology. Human Perception and Performance. 36: 462-76. PMID 20364930 DOI: 10.1037/A0018388  0.825
2010 Suied C, Susini P, McAdams S, Patterson RD. Why are natural sounds detected faster than pips? The Journal of the Acoustical Society of America. 127: EL105-10. PMID 20329809 DOI: 10.1121/1.3310196  0.566
2010 Giordano BL, McDonnell J, McAdams S. Hearing living symbols and nonliving icons: category specificities in the cognitive processing of environmental sounds. Brain and Cognition. 73: 7-19. PMID 20188452 DOI: 10.1016/J.Bandc.2010.01.005  0.823
2010 Giordano BL, McAdams S. Sound source mechanics and musical timbre perception: Evidence from previous studies Music Perception. 28: 155-168. DOI: 10.1525/Mp.2010.28.2.155  0.822
2010 Misdariis N, Minard A, Susini P, Lemaitre G, McAdams S, Parizet E. Environmental sound perception: Metadescription and modeling based on independent primary studies Eurasip Journal On Audio, Speech, and Music Processing. 2010. DOI: 10.1155/2010/362013  0.491
2009 Lemaitre G, Susini P, Winsberg S, McAdams S, Letinturier B. The Sound Quality of Car Horns: Designing New Representative Sounds Acta Acustica United With Acustica. 95: 356-372. DOI: 10.3813/Aaa.918158  0.518
2009 Tardieu J, Susini P, Poisson F, Lazareff P, McAdams S. Auditory information in the soundscape of a train station Noise and Vibration Worldwide. 40: 13-19. DOI: 10.1260/095745609789686966  0.452
2009 Caclin A, Giard M, McAdams S. Perception of timbre dimensions: Psychophysics and electrophysiology in humans. The Journal of the Acoustical Society of America. 126: 2236. DOI: 10.1121/1.3249185  0.47
2009 Tardieu J, Susini P, Poisson F, Kawakami H, McAdams S. The design and evaluation of an auditory way-finding system in a train station Applied Acoustics. 70: 1183-1193. DOI: 10.1016/J.Apacoust.2009.04.004  0.432
2008 Suied C, Susini P, McAdams S. Evaluating warning sound urgency with reaction times. Journal of Experimental Psychology. Applied. 14: 201-12. PMID 18808274 DOI: 10.1037/1076-898X.14.3.201  0.476
2008 Caclin A, McAdams S, Smith BK, Giard MH. Interactive processing of timbre dimensions: an exploration with event-related potentials. Journal of Cognitive Neuroscience. 20: 49-64. PMID 17919079 DOI: 10.1162/Jocn.2008.20.1.49  0.387
2008 Marentakis G, Peters N, McAdams S. Auditory resolution in virtual environments: Effects of spatialization algorithm, off‐center listener positioning and speaker configuration The Journal of the Acoustical Society of America. 123: 3798-3798. DOI: 10.1121/1.2935482  0.408
2008 Lagrange M, Giordano BL, Depalle P, McAdams S. Objective quality measurement of the excitation of impact sounds in a source/filter model The Journal of the Acoustical Society of America. 123: 3746-3746. DOI: 10.1121/1.2935296  0.783
2008 Bonnel AC, McAdams S, Smith BK, Bertone A, Burack JA, Ciocca V, Mottron L. Low level auditory processing of simple and complex sounds in autism The Journal of the Acoustical Society of America. 123: 3564-3564. DOI: 10.1121/1.2934617  0.495
2008 Giordano BL, McAdams S, Visell Y, Cooperstock J, Yao H, Hayward V. Non‐visual identification of walking grounds The Journal of the Acoustical Society of America. 123: 3412-3412. DOI: 10.1121/1.2934136  0.807
2008 Susini P, McAdams S. Loudness asymmetry ratings between accelerating and decelerating car sounds Journal of the Acoustical Society of America. 123: 3307-3307. DOI: 10.1121/1.2933739  0.452
2008 Minard A, Susini P, Misdariis N, Lemaitre G, McAdams S, Parizet E. Two‐level description of environmental sounds: comparison and generalization of 4 timbre studies The Journal of the Acoustical Society of America. 123: 3253-3253. DOI: 10.1121/1.2933537  0.516
2008 Giordano BL, McAdams S, Crosato P, Avanzini F, Casciato C, Sinclair S, Wanderley MM. Action‐based multisensory integration in striking events The Journal of the Acoustical Society of America. 123: 3178-3178. DOI: 10.1121/1.2933270  0.789
2008 McAdams S, Giordano BL. The perception of musical timbre The Oxford Handbook of Music Psychology. DOI: 10.1093/oxfordhb/9780199298457.013.0007  0.806
2008 McAdams S, Depalle P, Clarke E. Analyzing Musical Sound Empirical Musicology: Aims, Methods, Prospects. DOI: 10.1093/acprof:oso/9780195167498.003.0008  0.401
2008 Tardieu J, Susini P, Poisson F, Lazareff P, McAdams S. Perceptual study of soundscapes in train stations Applied Acoustics. 69: 1224-1239. DOI: 10.1016/J.Apacoust.2007.10.001  0.474
2008 Visell Y, Cooperstock JR, Giordano BL, Franinovic K, Law A, McAdams S, Jathal K, Fontana F. A vibrotactile device for display of virtual ground materials in walking Lecture Notes in Computer Science (Including Subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics). 5024: 420-426. DOI: 10.1007/978-3-540-69057-3_55  0.736
2008 Peters N, Giordano BL, Kim S, Braasch J, McAdams S. Predicting perceived off-center sound degradation in surround loudspeaker setups for various multichannel microphone techniques Audio Engineering Society - 125th Audio Engineering Society Convention 2008. 2: 1254-1265.  0.773
2007 Caclin A, Giard MH, Smith BK, McAdams S. Interactive processing of timbre dimensions: a Garner interference study. Brain Research. 1138: 159-70. PMID 17261274 DOI: 10.1016/J.Brainres.2006.12.065  0.434
2007 Giordano BL, McAdams S, Rocchesso D. The object of perception in impacted sound sources: The role of perceptual accessibility and information accuracy The Journal of the Acoustical Society of America. 121: 3166-3166. DOI: 10.1121/1.4782261  0.836
2007 Marentakis G, Peters N, McAdams S. Auditory resolution in auditory virtual environments The Journal of the Acoustical Society of America. 122: 3054. DOI: 10.1121/1.2942889  0.379
2006 Caclin A, Brattico E, Tervaniemi M, Näätänen R, Morlet D, Giard MH, McAdams S. Separate neural processing of timbre dimensions in auditory sensory memory. Journal of Cognitive Neuroscience. 18: 1959-72. PMID 17129184 DOI: 10.1162/Jocn.2006.18.12.1959  0.459
2006 Giordano BL, McAdams S. Material identification of real impact sounds: effects of size variation in steel, glass, wood, and plexiglass plates. The Journal of the Acoustical Society of America. 119: 1171-81. PMID 16521778 DOI: 10.1121/1.2149839  0.808
2006 McAdams S, Giordano BL. Generalizing timbre space data across stimulus contexts: The meta‐analytic approach The Journal of the Acoustical Society of America. 119: 3395-3395. DOI: 10.1121/1.4786681  0.819
2006 Suied C, Pruvost L, Susini P, Misdariis N, Langlois S, McAdams S. Speeded detection of sound signals based on temporal differences The Journal of the Acoustical Society of America. 119: 3333-3333. DOI: 10.1121/1.4786401  0.434
2006 McAdams S, Giordano B, Susini P, Peeters G, Rioux V. A meta‐analysis of acoustic correlates of timbre dimensions The Journal of the Acoustical Society of America. 120: 3275-3276. DOI: 10.1121/1.4777215  0.804
2006 Dubnov S, McAdams S, Reynolds R. Structural and affective aspects of music from statistical audio signal analysis Journal of the American Society For Information Science and Technology. 57: 1526-1536. DOI: 10.1002/Asi.20429  0.392
2006 Bézat MC, Roussarie V, Kronland-Martinet R, Ystad S, McAdams S. Perceptual analyses of action-related impact sounds Euronoise 2006 - the 6th European Conference On Noise Control: Advanced Solutions For Noise Control. 6P.  0.338
2005 Caclin A, McAdams S, Smith BK, Winsberg S. Acoustic correlates of timbre space dimensions: a confirmatory study using synthetic tones. The Journal of the Acoustical Society of America. 118: 471-82. PMID 16119366 DOI: 10.1121/1.1929229  0.432
2004 Tillmann B, McAdams S. Implicit learning of musical timbre sequences: statistical regularities confronted with acoustical (dis)similarities. Journal of Experimental Psychology. Learning, Memory, and Cognition. 30: 1131-42. PMID 15355141 DOI: 10.1037/0278-7393.30.5.1131  0.372
2004 McAdams S, Chaigne A, Roussarie V. The psychomechanics of simulated sound sources: material properties of impacted bars. The Journal of the Acoustical Society of America. 115: 1306-20. PMID 15058353 DOI: 10.1121/1.1645855  0.464
2004 McAdams S, Vines BW, Vieillard S, Smith BK, Reynolds R. Influences of Large-Scale Form on Continuous Ratings in Response to a Contemporary Piece in a Live Concert Setting Music Perception. 22: 297-350. DOI: 10.1525/Mp.2004.22.2.297  0.374
2004 Poulin-Charronnat B, Bigand E, Lalitte P, Madurell F, Vieillard S, McAdams S. Effects of a Change in Instrumentation on the Recognition of Musical Materials Music Perception. 22: 239-263. DOI: 10.1525/Mp.2004.22.2.239  0.458
2004 McAdams S, Vieillard S, Houix O, Reynolds R. Perception of Musical Similarity Among Contemporary Thematic Materials in Two Instrumentations Music Perception. 22: 207-237. DOI: 10.1525/Mp.2004.22.2.207  0.442
2004 Marozeau J, de Cheveigné A, McAdams S, Winsberg S. Erratum: “The dependency of timbre on fundamental frequency” [J. Acoust. Soc. Am. 114, 2946–2957 (2003)] The Journal of the Acoustical Society of America. 115: 929-929. DOI: 10.1121/1.1642764  0.371
2004 Susini P, McAdams S, Winsberg S, Perry I, Vieillard S, Rodet X. Characterizing the sound quality of air-conditioning noise Applied Acoustics. 65: 763-790. DOI: 10.1016/J.Apacoust.2004.02.003  0.451
2003 Marozeau J, de Cheveigné A, McAdams S, Winsberg S. The dependency of timbre on fundamental frequency. The Journal of the Acoustical Society of America. 114: 2946-57. PMID 14650028 DOI: 10.1121/1.1618239  0.349
2003 Bey C, McAdams S. Postrecognition of interleaved melodies as an indirect measure of auditory stream formation. Journal of Experimental Psychology. Human Perception and Performance. 29: 267-79. PMID 12760614 DOI: 10.1037/0096-1523.29.2.267  0.343
2003 AYARI M, McADAMS S. Aural Analysis of Arabic Improvised Instrumental Music (Taqsm) Music Perception. 21: 159-216. DOI: 10.1525/Mp.2003.21.2.159  0.41
2002 Menon V, Levitin DJ, Smith BK, Lembke A, Krasnow BD, Glazer D, Glover GH, McAdams S. Neural correlates of timbre change in harmonic sounds. Neuroimage. 17: 1742-54. PMID 12498748 DOI: 10.1006/Nimg.2002.1295  0.41
2002 Belin P, McAdams S, Thivard L, Smith B, Savel S, Zilbovicius M, Samson S, Samson Y. The neuroanatomical substrate of sound duration discrimination. Neuropsychologia. 40: 1956-64. PMID 12207993 DOI: 10.1016/S0028-3932(02)00062-3  0.632
2002 Bey C, McAdams S. Schema-based processing in auditory scene analysis. Perception & Psychophysics. 64: 844-54. PMID 12201342 DOI: 10.3758/Bf03194750  0.413
2002 Caclin A, Brattico E, Smith BK, Tervaniemi M, Giard M, McAdams S. Electrophysiological correlates of musical timbre perception The Journal of the Acoustical Society of America. 112: 2240-2240. DOI: 10.1121/1.4778890  0.445
2002 McAdams S, Caclin A, Smith BK. A confirmatory analysis of four acoustic correlates of timbre space The Journal of the Acoustical Society of America. 112: 2239-2239. DOI: 10.1121/1.4778883  0.423
2002 Levitin DJ, McAdams S, Adams RL. Control parameters for musical instruments: a foundation for new mappings of gesture to sound Organised Sound. 7: 171-189. DOI: 10.1017/S135577180200208X  0.408
2001 McAdams S, Matzkin D. Similarity, invariance, and musical variation. Annals of the New York Academy of Sciences. 930: 62-76. PMID 11458867 DOI: 10.1111/J.1749-6632.2001.Tb05725.X  0.458
2001 Brown JC, Houix O, McAdams S. Feature dependence in the automatic identification of musical woodwind instruments. The Journal of the Acoustical Society of America. 109: 1064-72. PMID 11303920 DOI: 10.1121/1.1342075  0.417
2001 Marozeau JP, de Cheveigné A, McAdams S, Winsberg S. The perceptual interaction between the pitch and timbre of musical sound The Journal of the Acoustical Society of America. 109: 2288-2288. DOI: 10.1121/1.4744009  0.356
2000 Pressnitzer D, McAdams S, Winsberg S, Fineberg J. Perception of musical tension for nontonal orchestral timbres and its relation to psychoacoustic roughness. Perception & Psychophysics. 62: 66-80. PMID 10703256 DOI: 10.3758/Bf03212061  0.776
2000 McAdams S. The psychomechanics of real and simulated sound sources Journal of the Acoustical Society of America. 107: 2792-2792. DOI: 10.1121/1.428981  0.481
2000 Pressnitzer D, McAdams S. Acoustics, psychoacoustics and spectral music Contemporary Music Review. 19: 33-59. DOI: 10.1080/07494460000640251  0.793
2000 Bigand E, McAdams S, Forêt S. Divided attention in music International Journal of Psychology. 35: 270-278. DOI: 10.1080/002075900750047987  0.34
1999 Brochard R, Drake C, Botte MC, McAdams S. Perceptual organization of complex auditory sequences: effect of number of simultaneous subsequences and frequency separation. Journal of Experimental Psychology. Human Perception and Performance. 25: 1742-59. PMID 10641316 DOI: 10.1037/0096-1523.25.6.1742  0.398
1999 Drake C, McAdams S. The auditory continuity phenomenon: role of temporal sequence structure. The Journal of the Acoustical Society of America. 106: 3529-38. PMID 10615693 DOI: 10.1121/1.428206  0.403
1999 Pressnitzer D, McAdams S. Two phase effects in roughness perception. The Journal of the Acoustical Society of America. 105: 2773-82. PMID 10335629 DOI: 10.1121/1.426894  0.785
1999 McAdams S, Beauchamp JW, Meneguzzi S. Discrimination of musical instrument sounds resynthesized with simplified spectrotemporal parameters. The Journal of the Acoustical Society of America. 105: 882-97. PMID 9972573 DOI: 10.1121/1.426277  0.436
1999 McAdams S. Perspectives on the contribution of timbre to musical structure Computer Music Journal. 23: 85-102. DOI: 10.1162/014892699559797  0.52
1999 Drake C, McAdams S, Berthoz A. Learning to sing a novel piece of music facilitates playing it on the violin but not the other way around: Evidence from performance segmentations Journal of the Acoustical Society of America. 106: 2285-2285. DOI: 10.1121/1.427812  0.3
1999 McAdams S, Winsberg S. Multidimensional scaling of musical timbre constrained by physical parameters The Journal of the Acoustical Society of America. 105: 1273-1273. DOI: 10.1121/1.426083  0.384
1998 Belin P, McAdams S, Smith B, Savel S, Thivard L, Samson S, Samson Y. The functional anatomy of sound intensity discrimination. The Journal of Neuroscience : the Official Journal of the Society For Neuroscience. 18: 6388-94. PMID 9698330 DOI: 10.1523/Jneurosci.18-16-06388.1998  0.652
1998 McAdams S, Botte MC, Drake C. Auditory continuity and loudness computation. The Journal of the Acoustical Society of America. 103: 1580-91. PMID 9514022 DOI: 10.1121/1.421293  0.398
1998 McAdams S, Kudo K, Kirchner H. Perceptual independence of excitor and resonator properties in percussive instrument sounds The Journal of the Acoustical Society of America. 103: 2966-2966. DOI: 10.1121/1.422373  0.391
1998 Roussarie V, McAdams S, Chaigne A. Perceptual analysis of synthesized struck bars The Journal of the Acoustical Society of America. 103: 3007-3007. DOI: 10.1121/1.422347  0.497
1998 Misdariis N, Smith B, Presssnitzer D, Susini P, McAdams S. Validation of a multidimensional distance model for perceptual dissimilarities among musical timbres Journal of the Acoustical Society of America. 103: 3005-3006. DOI: 10.1121/1.421751  0.486
1998 Susini P, McAdams S. Global and continuous judgments of sounds with time‐varying intensity: Cross‐modal matching with a proprioceptive input device Journal of the Acoustical Society of America. 103: 2812-2812. DOI: 10.1121/1.421568  0.373
1997 Lakatos S, McAdams S, Caussé R. The representation of auditory source characteristics: simple geometric form. Perception & Psychophysics. 59: 1180-90. PMID 9401453 DOI: 10.1121/1.416150  0.454
1997 McAdams S, Bertoncini J. Organization and discrimination of repeating sound sequences by newborn infants. The Journal of the Acoustical Society of America. 102: 2945-53. PMID 9373981 DOI: 10.1121/1.420349  0.357
1997 Botte MC, Drake C, Brochard R, McAdams S. Perceptual attenuation of nonfocused auditory streams. Perception & Psychophysics. 59: 419-25. PMID 9136271 DOI: 10.3758/Bf03211908  0.355
1997 De Cheveigné A, McAdams S, Marin CMH. Concurrent vowel identification. II. Effects of phase, harmonicity, and task Journal of the Acoustical Society of America. 101: 2848-2856. DOI: 10.1121/1.419476  0.333
1997 Beauchamp JW, McAdams S, Meneguzzi S. Perceptual effects of simplifying musical instrument sound time‐frequency representations Journal of the Acoustical Society of America. 101: 3167-3167. DOI: 10.1121/1.419120  0.412
1996 Marin CM, McAdams S. The role of auditory beats induced by frequency modulation and polyperiodicity in the perception of spectrally embedded complex target sounds. The Journal of the Acoustical Society of America. 100: 1736-53. PMID 8817900 DOI: 10.1121/1.416071  0.434
1995 McAdams S, Winsberg S, Donnadieu S, De Soete G, Krimphoff J. Perceptual scaling of synthesized musical timbres: common dimensions, specificities, and latent subject classes. Psychological Research. 58: 177-92. PMID 8570786 DOI: 10.1007/Bf00419633  0.687
1995 de Cheveigné A, McAdams S, Laroche J, Rosenberg M. Identification of concurrent harmonic and inharmonic vowels: a test of the theory of harmonic cancellation and enhancement. The Journal of the Acoustical Society of America. 97: 3736-48. PMID 7790652 DOI: 10.1121/1.412389  0.338
1994 Fales C, McAdams S. The Fusion and Layering of Noise and Tone: Implications for Timbre in African Instruments Leonardo Music Journal. 4: 69-77. DOI: 10.2307/1513183  0.392
1994 Botte M, Drake C, Brochard R, McAdams S, Argenti A. Preliminary measures of the focusing of attention on auditory streams Journal of the Acoustical Society of America. 95: 2965-2965. DOI: 10.1121/1.409032  0.3
1994 McADAMS S, BOTTE M, DRAKE C. Le phénomène de la continuité auditive et la répartition de la sonie entre flux auditifs Le Journal De Physique Iv. 4: C5-383-C5-386. DOI: 10.1051/Jp4:1994579  0.404
1994 NOSULENKO VN, SAMOYLENKO ES, McADAMS S. L'analyse de descriptions verbales dans l'étude des comparaisons de timbres musicaux Le Journal De Physique Iv. 4: C5-637-C5-640. DOI: 10.1051/Jp4:19945137  0.349
1994 Krimphoff J, McADAMS S, Winsberg S. Caractérisation du timbre des sons complexes.II. Analyses acoustiques et quantification psychophysique Journal De Physique Iv. 4. DOI: 10.1051/Jp4:19945134  0.501
1994 DONNADIEU S, McADAMS S, WINSBERG S. Caractérisation du timbre des sons complexes.I. Analyse multidimensionnelle Le Journal De Physique Iv. 4: C5-593-C5-596. DOI: 10.1051/Jp4:19945126  0.682
1994 DE CHEVEIGNÉ A, McADAMS S, LAROCHE J, ROSENBERG M. Identification de voyelles simultanées harmoniques et inharmoniques Le Journal De Physique Iv. 4: C5-553-C5-556. DOI: 10.1051/Jp4:19945119  0.386
1994 Donnadieu S, McAdams S, Winsberg S. Characterization of the timbre of complex sounds. I. multidimensional analysis | Caracterisation du timbre des sons complexes. I. analyse multidimensionnelle Journal De Physique. 4: 593-596.  0.6
1993 McAdams S, Bigand E. Thinking in sound : the cognitive psychology of human audition Computer Music Journal. 19: 101. DOI: 10.1093/Acprof:Oso/9780198522577.001.0001  0.457
1992 McAdams S, Cunible JC. Perception of timbral analogies. Philosophical Transactions of the Royal Society of London. Series B, Biological Sciences. 336: 383-9. PMID 1354378 DOI: 10.1098/Rstb.1992.0072  0.436
1991 Marin CM, McAdams S. Segregation of concurrent sounds. II: Effects of spectral envelope tracing, frequency modulation coherence, and frequency modulation width. The Journal of the Acoustical Society of America. 89: 341-51. PMID 2002173 DOI: 10.1121/1.400469  0.404
1990 Hartmann WM, McAdams S, Smith BK. Hearing a mistuned harmonic in an otherwise periodic complex tone. The Journal of the Acoustical Society of America. 88: 1712-24. PMID 2262628 DOI: 10.1121/1.400246  0.456
1990 Mailer A, McAdams S. Music and Psychology: A Mutual Regard Computer Music Journal. 14: 81. DOI: 10.2307/3679965  0.35
1990 Marin CMH, McAdams S. Interactions among cues contributing to concurrent sound segregation The Journal of the Acoustical Society of America. 88: S146-S146. DOI: 10.1121/1.2028652  0.435
1990 McAdams S, Marin CMH. Within‐ and cross‐channel mechanisms in the detection of frequency modulation coherence and incoherence The Journal of the Acoustical Society of America. 87: S157-S157. DOI: 10.1121/1.2028062  0.352
1990 Marin CMH, McAdams S. The role of beats in the segregation of concurrent sounds based on frequency modulation coherence The Journal of the Acoustical Society of America. 87: S157-S157. DOI: 10.1121/1.2028061  0.417
1989 Bertoncini J, Morais J, Bijeljac-Babic R, McAdams S, Peretz I, Mehler J. Dichotic perception and laterality in neonates. Brain and Language. 37: 591-605. PMID 2819417 DOI: 10.1016/0093-934X(89)90113-2  0.392
1989 McAdams S. Segregation of concurrent sounds. I: Effects of frequency modulation coherence. The Journal of the Acoustical Society of America. 86: 2148-59. PMID 2600305 DOI: 10.1121/1.398475  0.379
1989 McAdams S. Generative Processes in Music: The Psychology of Performance, Improvisation, and Composition John A. Sloboda Music Perception: An Interdisciplinary Journal. 7: 195-201. DOI: 10.2307/40285458  0.304
1989 McAdams S. Reply to ‘‘Comments on S. McAdams’ Review of Sound Color’’ [J. Acoust. Soc. Am. 86, 2469–2471 (1989)] The Journal of the Acoustical Society of America. 86: 2471-2471. DOI: 10.1121/1.398417  0.39
1989 McAdams S. Psychological constraints on form-bearing dimensions in music Contemporary Music Review. 4: 181-198. DOI: 10.1080/07494468900640281  0.384
1989 Mcadams S. Introduction: The many faces of human cognition in musical research and practice Contemporary Music Review. 4: 1-7. DOI: 10.1080/07494468900640171  0.358
1988 Slawson W, McAdams S. Sound Color by Wayne Slawson The Journal of the Acoustical Society of America. 84: 1957-1957. DOI: 10.1121/1.397128  0.404
1987 McAdams S. Music: A science of the mind? Contemporary Music Review. 2: 1-61. DOI: 10.1080/07494468708567053  0.381
1986 Hartmann WM, McAdams S, Gerzso A, Boulez P. Discrimination of spectral density. The Journal of the Acoustical Society of America. 79: 1915-25. PMID 3722601 DOI: 10.1121/1.2022835  0.453
1986 Hartmann WM, McAdams S, Smith BK. Matching the pitch of a mistuned harmonic in an otherwise periodic complex tone The Journal of the Acoustical Society of America. 80: S93-S93. DOI: 10.1121/1.2024051  0.353
1984 McAdams S, Rodel X. The coupling of sub‐audio amplitude and frequency modulafions and the perception of spectral envelope characteristics The Journal of the Acoustical Society of America. 76: S13-S13. DOI: 10.1121/1.2021715  0.411
1984 McAdams S. The Auditory Image: A Metaphor for Musical and Psychological Research on Auditory Organization Advances in Psychology. 19: 289-323. DOI: 10.1016/S0166-4115(08)62356-0  0.436
1982 McAdams S. Contributions of sub‐audio frequency modulation and spectral envelope constancy to spectral fusion in complex harmonic tones The Journal of the Acoustical Society of America. 72: S11-S11. DOI: 10.1121/1.2019729  0.411
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