| Year |
Citation |
Score |
| 2019 |
Toelle J, Sloboda JA. The audience as artist? The audience’s experience of participatory music: Musicae Scientiae. 102986491984480. DOI: 10.1177/1029864919844804 |
0.324 |
|
| 2018 |
Dolan D, Jensen HJ, Mediano PAM, Molina-Solana M, Rajpal H, Rosas F, Sloboda JA. The Improvisational State of Mind: A Multidisciplinary Study of an Improvisatory Approach to Classical Music Repertoire Performance. Frontiers in Psychology. 9: 1341. PMID 30319469 DOI: 10.3389/Fpsyg.2018.01341 |
0.34 |
|
| 2018 |
Sloboda JA, Ginsborg J. 25 years of ESCOM: Achievements and challenges Musicae Scientiae. 22: 147-160. DOI: 10.1177/1029864918764574 |
0.609 |
|
| 2013 |
Greasley A, Lamont A, Sloboda J. Exploring Musical Preferences: An In-Depth Qualitative Study of Adults' Liking for Music in Their Personal Collections Qualitative Research in Psychology. 10: 402-427. DOI: 10.1080/14780887.2011.647259 |
0.755 |
|
| 2012 |
Brand G, Sloboda J, Saul B, Hathaway M. The reciprocal relationship between jazz musicians and audiences in live performances: A pilot qualitative study Psychology of Music. 40: 634-651. DOI: 10.1177/0305735612448509 |
0.322 |
|
| 2012 |
Hicks MH, Dardagan H, Bagnall PM, Spagat M, Sloboda JA. Suicide bombing: how to prevent death in civilians? – Authors' reply The Lancet. 379: e9-e10. DOI: 10.1016/S0140-6736(12)60062-2 |
0.595 |
|
| 2011 |
Hicks MH, Dardagan H, Bagnall PM, Spagat M, Sloboda JA. Casualties in civilians and coalition soldiers from suicide bombings in Iraq, 2003-10: a descriptive study. Lancet (London, England). 378: 906-14. PMID 21890055 DOI: 10.1016/S0140-6736(11)61023-4 |
0.59 |
|
| 2011 |
Hicks MH, Dardagan H, Guerrero Serdán G, Bagnall PM, Sloboda JA, Spagat M. Violent deaths of Iraqi civilians, 2003-2008: analysis by perpetrator, weapon, time, and location. Plos Medicine. 8: e1000415. PMID 21358813 DOI: 10.1371/Journal.Pmed.1000415 |
0.605 |
|
| 2011 |
van Goethem A, Sloboda J. The functions of music for affect regulation Musicae Scientiae. 15: 208-228. DOI: 10.1177/1029864911401174 |
0.358 |
|
| 2011 |
Zijl AGWV, Sloboda J. Performers’ experienced emotions in the construction of expressive musical performance: An exploratory investigation: Psychology of Music. 39: 196-219. DOI: 10.1177/0305735610373563 |
0.316 |
|
| 2010 |
Sloboda J. Book review: Phillip Ball. The Music Instinct: How Music Works and Why We Can’t Do Without It. London: The Bodley Head, 2010. 452 pp. £20.00 ISBN 9781847920881: Psychology of Music. 38: 506-508. DOI: 10.1177/03057356100380040802 |
0.3 |
|
| 2009 |
Hicks MH, Dardagan H, Guerrero Serdán G, Bagnall PM, Sloboda JA, Spagat M. The weapons that kill civilians--deaths of children and noncombatants in Iraq, 2003-2008. The New England Journal of Medicine. 360: 1585-8. PMID 19369663 DOI: 10.1056/Nejmp0807240 |
0.606 |
|
| 2009 |
Luck G, Sloboda JA. Spatio-Temporal Cues for Visually Mediated Synchronization Music Perception. 26: 465-473. DOI: 10.1525/Mp.2009.26.5.465 |
0.709 |
|
| 2008 |
Luck G, Sloboda J. Exploring The Spatio-Temporal Properties Of Simple Conducting Gestures Using A Synchronization Task Music Perception: An Interdisciplinary Journal. 25: 225-239. DOI: 10.1525/Mp.2008.25.3.225 |
0.712 |
|
| 2008 |
Wise KJ, Sloboda JA. Establishing an empirical profile of self-defined “tone deafness”: Perception, singing performance and self-assessment: Musicae Scientiae. 12: 3-26. DOI: 10.1177/102986490801200102 |
0.315 |
|
| 2007 |
Ginsborg J, Sloboda JA. Singers' recall for the words and melody of a new, unaccompanied song Psychology of Music. 35: 421-440. DOI: 10.1177/0305735607072654 |
0.65 |
|
| 2006 |
Johnson DC, Sloboda J. Exploring the musical mind : cognition, emotion, ability, function Music Educators Journal. 93: 20. DOI: 10.2307/3878459 |
0.37 |
|
| 2005 |
Sloboda JA, Wise KJ, Peretz I. Quantifying tone deafness in the general population. Annals of the New York Academy of Sciences. 1060: 255-61. PMID 16597772 DOI: 10.1196/Annals.1360.018 |
0.688 |
|
| 2004 |
Sloboda JA, Ginsborg J. Understanding Expert Memory: The Case of the Classical Pianist. Psyccritiques. 49. DOI: 10.1037/004809 |
0.615 |
|
| 2001 |
Sloboda JA, Lehmann AC. Tracking Performance Correlates of Changes in Perceived Intensity of Emotion During Different Interpretations of a Chopin Piano Prelude Music Perception. 19: 87-120. DOI: 10.1525/Mp.2001.19.1.87 |
0.341 |
|
| 2001 |
Sloboda JA. The “Sound of Music” versus the “Essence of Music”: Dilemmas for Music-Emotion Researchers (Commentary) Musicae Scientiae. 5: 237-255. DOI: 10.1177/10298649020050S109 |
0.351 |
|
| 2001 |
Sloboda JA, O'Neill SA, Ivaldi A. Functions of music in everyday life: An exploratory study using the Experience Sampling Method. Musicae Scientiae. 5: 9-32. DOI: 10.1177/102986490100500102 |
0.367 |
|
| 2001 |
Sloboda J. Emotion, Functionality and the Everyday Experience of Music: Where does music education fit? Music Education Research. 3: 243-253. DOI: 10.1080/14613800120089287 |
0.313 |
|
| 2000 |
Sloboda JA. Individual differences in music performance Trends in Cognitive Sciences. 4: 397-403. PMID 11025283 DOI: 10.1016/S1364-6613(00)01531-X |
0.384 |
|
| 1999 |
Sloboda JA, Howe MJ. Musical Talent and Individual Differences in Musical Achievement: A Reply to Gagne (1999) Psychology of Music. 27: 52-54. DOI: 10.1177/0305735699271005 |
0.337 |
|
| 1999 |
Parncutt R, Sloboda JA, Clarke EF. Interdependence of Right and Left Hands in Sight-Read, Written, and Rehearsed Fingerings of Parallel Melodic Piano Music Australian Journal of Psychology. 51: 204-210. DOI: 10.1080/00049539908255357 |
0.642 |
|
| 1998 |
Howe MJ, Davidson JW, Sloboda JA. Innate talents: reality or myth? The Behavioral and Brain Sciences. 21: 399-407; discussion . PMID 10097018 DOI: 10.1017/S0140525X9800123X |
0.513 |
|
| 1998 |
Sloboda J. Does Music Mean Anything Musicae Scientiae. 2: 19-31. DOI: 10.1177/102986499800200102 |
0.33 |
|
| 1998 |
Sloboda JA, Clarke EF, Parncutt R, Raekallio M. Determinants of finger choice in piano sight-reading. Journal of Experimental Psychology: Human Perception and Performance. 24: 185-203. DOI: 10.1037/0096-1523.24.1.185 |
0.618 |
|
| 1997 |
Parncutt R, Sloboda JA, Clarke EF, Raekallio M, Desain P. An Ergonomic Model of Keyboard Fingering for Melodic Fragments Music Perception. 14: 341-382. DOI: 10.2307/40285730 |
0.621 |
|
| 1997 |
Clarke E, Parncutt R, Raekallio M, Sloboda J. Talking Fingers: An Interview Study of Pianists' Views on Fingering Musicae Scientiae. 1: 87-107. DOI: 10.1177/102986499700100106 |
0.681 |
|
| 1997 |
Brodsky W, Sloboda JA. Clinical Trial of a Music Generated Vibrotactile Therapeutic Environment for Musicians: Main Effects and Outcome Differences Between Therapy Subgroups Journal of Music Therapy. 34: 2-32. DOI: 10.1093/Jmt/34.1.2 |
0.671 |
|
| 1996 |
Sloboda JA, Davidson JW, Howe MJA, Moore DG. The role of practice in the development of performing musicians British Journal of Psychology. 87: 287-309. DOI: 10.1111/J.2044-8295.1996.Tb02591.X |
0.313 |
|
| 1991 |
Sloboda JA. Music structure and emotional response: Some empirical findings. Psychology of Music. 19: 110-120. DOI: 10.1177/0305735691192002 |
0.334 |
|
| 1991 |
Howe MJA, Sloboda JA. Young Musicians' Accounts of Significant Influences in their Early Lives. 2. Teachers, Practising and Performing British Journal of Music Education. 8: 53-63. DOI: 10.1017/S0265051700008068 |
0.315 |
|
| 1991 |
Howe MJA, Sloboda JA. Young Musicians' Accounts of Significant Influences in their Early Lives. 1. The Family and the Musical Background British Journal of Music Education. 8: 39-52. DOI: 10.1017/S0265051700008056 |
0.323 |
|
| 1987 |
Sloboda JA. The musical mind : the cognitive psychology of music Leonardo. 20: 193. DOI: 10.2307/1578337 |
0.334 |
|
| 1985 |
Sloboda JA, Hermelin B, O'Connor N. An Exceptional Musical Memory Music Perception. 3: 155-169. DOI: 10.2307/40285330 |
0.746 |
|
| 1984 |
Sloboda JA. Experimental Studies of Music Reading: A Review Music Perception. 2: 222-236. DOI: 10.2307/40285292 |
0.373 |
|
| 1982 |
Sloboda JA. 16 – Music Performance Psychology of Music. 479-496. DOI: 10.1016/B978-0-12-213562-0.50020-6 |
0.312 |
|
| 1978 |
Sloboda JA. Perception of contour in music reading. Perception. 7: 323-331. PMID 693232 DOI: 10.1068/P070323 |
0.343 |
|
| 1978 |
Sloboda J. The Psychology of Music Reading Psychology of Music. 6: 3-20. DOI: 10.1177/030573567862001 |
0.336 |
|
| 1977 |
Sloboda JA. Phrase units as determinants of visual processing in music reading. British Journal of Psychology. 68: 117-124. DOI: 10.1111/J.2044-8295.1977.Tb01566.X |
0.307 |
|
| 1976 |
Sloboda JA. Visual perception of musical notation: registering pitch symbols in memory. Quarterly Journal of Experimental Psychology. 28: 1-16. PMID 1273247 DOI: 10.1080/14640747608400532 |
0.314 |
|
| 1976 |
Sloboda JA. The effect of item position on the likelihood of identification by inference in prose reading and music reading Canadian Journal of Psychology\/Revue Canadienne De Psychologie. 30: 228-237. DOI: 10.1037/H0082064 |
0.301 |
|
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