Diana Deutsch, Ph.D - Publications

Affiliations: 
Psychology University of California, San Diego, La Jolla, CA 
Website:
http://deutsch.ucsd.edu

79 high-probability publications. We are testing a new system for linking publications to authors. You can help! If you notice any inaccuracies, please sign in and mark papers as correct or incorrect matches. If you identify any major omissions or other inaccuracies in the publication list, please let us know.

Year Citation  Score
2013 Deutsch D, Li X, Shen J. Absolute pitch among students at the Shanghai Conservatory of Music: a large-scale direct-test study. The Journal of the Acoustical Society of America. 134: 3853-9. PMID 24180794 DOI: 10.1121/1.4824450  1
2013 Shen J, Deutsch D, Rayner K. On-line perception of Mandarin Tones 2 and 3: evidence from eye movements. The Journal of the Acoustical Society of America. 133: 3016-29. PMID 23654405 DOI: 10.1121/1.4795775  1
2013 Deutsch D, Dooley K. Absolute pitch is associated with a large auditory digit span: a clue to its genesis. The Journal of the Acoustical Society of America. 133: 1859-61. PMID 23556554 DOI: 10.1121/1.4792217  1
2013 Tierney A, Dick F, Deutsch D, Sereno M. Speech versus song: multiple pitch-sensitive areas revealed by a naturally occurring musical illusion. Cerebral Cortex (New York, N.Y. : 1991). 23: 249-54. PMID 22314043 DOI: 10.1093/cercor/bhs003  1
2013 Deutsch D. Commentary on "The octave illusion and handedness: A replication of Diana Deutsch's 1974 study" Musicae Scientiae. 17: 290-292. DOI: 10.1177/1029864913490631  1
2013 Deutsch D. Preface The Psychology of Music. xiii-xvii. DOI: 10.1016/B978-0-12-381460-9.00021-3  1
2013 Deutsch D. The Processing of Pitch Combinations The Psychology of Music. 249-325. DOI: 10.1016/B978-0-12-381460-9.00007-9  1
2013 Deutsch D. Grouping Mechanisms in Music The Psychology of Music. 183-248. DOI: 10.1016/B978-0-12-381460-9.00006-7  1
2013 Deutsch D. The Psychology of Music The Psychology of Music 1
2013 Peng G, Deutsch D, Henthorn T, Su D, Wang WSY. Language experience influences non-linguistic pitch perception Journal of Chinese Linguistics. 41: 447-467.  1
2011 Dooley K, Deutsch D. Absolute pitch correlates with high performance on interval naming tasks. The Journal of the Acoustical Society of America. 130: 4097-104. PMID 22225064 DOI: 10.1121/1.3652861  1
2011 Deutsch D, Henthorn T, Lapidis R. Illusory transformation from speech to song. The Journal of the Acoustical Society of America. 129: 2245-52. PMID 21476679 DOI: 10.1121/1.3562174  1
2011 Shen J, Deutsch D, Le J. The effect of overall pitch height on Mandarin tone identification Proceedings of Meetings On Acoustics. 14. DOI: 10.1121/2.0000066  1
2010 Dooley K, Deutsch D. Absolute pitch correlates with high performance on musical dictation. The Journal of the Acoustical Society of America. 128: 890-3. PMID 20707458 DOI: 10.1121/1.3458848  1
2010 Williamson VJ, McDonald C, Deutsch D, Griffiths TD, Stewart L. Faster decline of pitch memory over time in congenital amusia. Advances in Cognitive Psychology / University of Finance and Management in Warsaw. 6: 15-22. PMID 20689638 DOI: 10.2478/v10053-008-0073-5  1
2010 Deutsch D. Hearing music in ensembles Physics Today. 63: 40-45. DOI: 10.1063/1.3326988  1
2010 Deutsch D. Musical Illusions Encyclopedia of Neuroscience. 1159-1167. DOI: 10.1016/B978-008045046-9.00250-3  1
2010 Shen J, Deutsch D, Rayner K. Processing of endpoint pitch in mandarin tone perception: An eye movement study 20th International Congress On Acoustics 2010, Ica 2010 - Incorporating Proceedings of the 2010 Annual Conference of the Australian Acoustical Society. 5: 3666-3668.  1
2009 Deutsch D, Le J, Shen J, Henthorn T. The pitch levels of female speech in two Chinese villages. The Journal of the Acoustical Society of America. 125: EL208-13. PMID 19425624 DOI: 10.1121/1.3113892  1
2009 Deutsch D, Dooley K, Henthorn T, Head B. Absolute pitch among students in an American music conservatory: association with tone language fluency. The Journal of the Acoustical Society of America. 125: 2398-403. PMID 19354413 DOI: 10.1121/1.3081389  1
2008 Deutsch D, Dooley K, Henthorn T. Pitch circularity from tones comprising full harmonic series. The Journal of the Acoustical Society of America. 124: 589-97. PMID 18647001 DOI: 10.1121/1.2931957  1
2007 Deouell LY, Deutsch D, Scabini D, Soroker N, Knight RT. No disillusions in auditory extinction: perceiving a melody comprised of unperceived notes. Frontiers in Human Neuroscience. 1: 15. PMID 18958228 DOI: 10.3389/neuro.09.015.2007  1
2007 Deutsch D, Hamaoui K, Henthorn T. The glissando illusion and handedness. Neuropsychologia. 45: 2981-8. PMID 17624379 DOI: 10.1016/j.neuropsychologia.2007.05.015  1
2007 Deutsch D. Music perception. Frontiers in Bioscience : a Journal and Virtual Library. 12: 4473-82. PMID 17485389 DOI: 10.2741/2402  1
2007 Henthorn T, Deutsch D. Ethnicity versus early environment: comment on 'Early childhood music education and predisposition to absolute pitch: teasing apart genes and environment' by Peter K. Gregersen, Elena Kowalsky, Nina Kohn, and Elizabeth West Marvin [2000]. American Journal of Medical Genetics. Part A. 143: 102-3; author reply . PMID 17163519 DOI: 10.1002/ajmg.a.31596  1
2007 Deutsch D. Mothers and their offspring perceive the tritone paradox in closely similar ways Archives of Acoustics. 32: 517-528.  1
2006 Deutsch D, Henthorn T, Marvin E, Xu H. Absolute pitch among American and Chinese conservatory students: prevalence differences, and evidence for a speech-related critical period. The Journal of the Acoustical Society of America. 119: 719-22. PMID 16521731 DOI: 10.1121/1.2151799  1
2004 Deutsch D. The octave illusion revisited again. Journal of Experimental Psychology. Human Perception and Performance. 30: 355-64. PMID 15053694 DOI: 10.1037/0096-1523.30.2.355  1
2004 Deutsch D. Reply to "Reconsidering evidence for the suppression model of the octave illusion," by C. D. Chambers, J. B. Mattingley, and S. A. Moss Psychonomic Bulletin and Review. 11: 667-676.  1
2002 Deutsch D. The puzzle of absolute pitch Current Directions in Psychological Science. 11: 200-204.  1
1997 Deutsch D. The tritone paradox: A link between music and speech Current Directions in Psychological Science. 6: 174-180.  1
1996 Deutsch D. Chapter 8 The perception of auditory patterns Handbook of Perception and Action. 1: 253-296. DOI: 10.1016/S1874-5822(96)80011-9  1
1992 Deutsch D. Paradoxes of musical pitch. Scientific American. 267: 88-95. PMID 1641627  1
1992 Deutsch D. Some new pitch paradoxes and their implications. Philosophical Transactions of the Royal Society of London. Series B, Biological Sciences. 336: 391-7. PMID 1354379 DOI: 10.1098/rstb.1992.0073  1
1988 Deutsch D. Priming effects and the Deutsch scale illusion: comments on "The effects of familiarity and previous training on perception of an ambiguous musical figure," by Davidson, Power, and Michie. Perception & Psychophysics. 43: 599-600. PMID 3399358 DOI: 10.3758/BF03207748  1
1988 Deutsch D. Lateralization and sequential relationships in the octave illusion. The Journal of the Acoustical Society of America. 83: 365-9. PMID 3343449  1
1987 Deutsch D. The tritone paradox: effects of spectral variables. Perception & Psychophysics. 41: 563-75. PMID 3615152 DOI: 10.3758/BF03210490  1
1986 Deutsch D, Moore FR, Dolson M. The perceived height of octave-related complexes. The Journal of the Acoustical Society of America. 80: 1346-53. PMID 3782612 DOI: 10.1121/1.394387  1
1986 Deutsch D. Recognition of durations embedded in temporal patterns. Perception & Psychophysics. 39: 179-86. PMID 3737343 DOI: 10.3758/BF03212489  1
1984 Deutsch D. Two issues concerning tonal hierarchies: comment on Castellano, Bharucha, and Krumhansl. Journal of Experimental Psychology. General. 113: 413-6. PMID 6237170 DOI: 10.1037/0096-3445.113.3.413  1
1984 Deutsch D. Musical Space Advances in Psychology. 19: 253-287. DOI: 10.1016/S0166-4115(08)62355-9  1
1983 Deutsch D. The octave illusion in relation to handedness and familial handedness background. Neuropsychologia. 21: 289-93. PMID 6877583 DOI: 10.1016/0028-3932(83)90047-7  1
1983 Deutsch D. Reply to "Comments on "ear dominance and sequential interactions"' by E. William Yund. The Journal of the Acoustical Society of America. 73: 1865-7. PMID 6863755 DOI: 10.1121/1.389359  1
1983 Deutsch D. The generation of two isochronous sequences in parallel. Perception & Psychophysics. 34: 331-7. PMID 6657434 DOI: 10.3758/BF03203045  1
1983 Deutsch D. AUDITORY ILLUSIONS, HANDEDNESS, AND THE SPATIAL ENVIRONMENT Aes: Journal of the Audio Engineering Society. 31: 607-618.  1
1982 Deutsch D. The internal representation of information in the form of hierarchies. Perception & Psychophysics. 31: 596-09. PMID 7122198 DOI: 10.3758/BF03204198  1
1982 Deutsch D. The influence of melodic context on pitch recognition judgment. Perception & Psychophysics. 31: 407-10. PMID 7110898 DOI: 10.3758/BF03204849  1
1981 Deutsch D, Feroe J. The internal representation of pitch sequences in tonal music Psychological Review. 88: 503-522. DOI: 10.1037/0033-295X.88.6.503  1
1980 Deutsch D. Ear dominance and sequential interactions. The Journal of the Acoustical Society of America. 67: 220-8. PMID 7354190 DOI: 10.1121/1.383731  1
1980 Deutsch D. The processing of structured and unstructured tonal sequences. Perception & Psychophysics. 28: 381-9. PMID 7208247 DOI: 10.3758/BF03204881  1
1979 Deutsch D. Octave generalization and the consolidation of melodic information. Canadian Journal of Psychology. 33: 201-5. PMID 519549  1
1979 Deutsch D. Binaural integration of melodic patterns. Perception & Psychophysics. 25: 399-405. PMID 461100 DOI: 10.3758/BF03199848  1
1978 Deutsch D. Interactive effects in memory for harmonic intervals. Perception & Psychophysics. 24: 7-10. PMID 693242 DOI: 10.3758/BF03202968  1
1978 Deutsch D. Delayed pitch comparisons and the principle of proximity. Perception & Psychophysics. 23: 227-30. PMID 662573 DOI: 10.3758/BF03204130  1
1978 Deutsch D. Octave generalization and melody identification. Perception & Psychophysics. 23: 91-2. PMID 652496  1
1978 Deutsch D. Lateralization by frequency for repeating sequences of dichotic 400- and 800-Hz tones. The Journal of the Acoustical Society of America. 63: 184-6. PMID 632409 DOI: 10.1121/1.381710  1
1978 Deutsch D. Pitch memory: an advantage for the left-handed. Science (New York, N.Y.). 199: 559-60. PMID 622558  1
1978 Deutsch D, Gregory AH. Deutsch's octave illusion Nature. 274: 721. DOI: 10.1038/274721b0  1
1976 Deutsch D, Roll PL. Separate "what" and "where" decision mechanisms in processing a dichotic tonal sequence. Journal of Experimental Psychology. Human Perception and Performance. 2: 23-9. PMID 1262796 DOI: 10.1037/0096-1523.2.1.23  1
1975 Deutsch D. Facilitation by repetition in recognition memory for tonal pitch. Memory & Cognition. 3: 263-6. PMID 21287071 DOI: 10.3758/BF03212909  1
1975 Deutsch D. Auditory memory. Canadian Journal of Psychology. 29: 87-105. PMID 1182608  1
1975 Deutsch D. Musicalillusions. Scientific American. 233: 92-8,103-4. PMID 1162325  1
1975 Deutsch D. Two-channel listening to musical scales. The Journal of the Acoustical Society of America. 57: 1156-60. PMID 1127169 DOI: 10.1121/1.380573  1
1975 Deutsch D, Feroe J. Disinhibition in pitch memory Perception & Psychophysics. 17: 320-324. DOI: 10.3758/BF03203217  1
1974 Deutsch D. Generality of interference by tonal stimuli in recognition memory for pitch. The Quarterly Journal of Experimental Psychology. 26: 229-34. PMID 4840120 DOI: 10.1080/14640747408400408  1
1974 Deutsch D, Roll PL. Error patterns in delayed pitch comparison as a function of relational context. Journal of Experimental Psychology. 103: 1027-34. PMID 4443758 DOI: 10.1037/h0037359  1
1974 Deutsch D. An auditory illusion. Nature. 251: 307-9. PMID 4427654  1
1973 Deutsch D. Interference in memory between tones adjacent in the musical scale. Journal of Experimental Psychology. 100: 228-31. PMID 4745453  1
1973 Deutsch D. Octave generalization of specific interference effects in memory for tonal pitch Perception & Psychophysics. 13: 271-275. DOI: 10.3758/BF03214138  1
1972 Deutsch D. Effect of repetition of standard and comparison tones on recognition memory for pitch. Journal of Experimental Psychology. 93: 156-62. PMID 5013329 DOI: 10.1037/h0032496  1
1972 Deutsch D. Mapping of interactions in the pitch memory store. Science (New York, N.Y.). 175: 1020-2. PMID 5009395  1
1972 Deutsch D. Octave generalization and tune recognition Perception & Psychophysics. 11: 411-412. DOI: 10.3758/BF03206280  1
1970 Deutsch D. Dislocation of tones in a musical sequence: a memory illusion. Nature. 226: 286. PMID 5437526  1
1970 Deutsch D. Tones and numbers: specificity of interference in immediate memory. Science (New York, N.Y.). 168: 1604-5. PMID 5420547  1
1970 Deutsch D. Dislocation of Tones in a Musical Sequence: a Memory Illusion Nature. 226: 286. DOI: 10.1038/226286a0  1
1969 Deutsch D. Music recognition. Psychological Review. 76: 300-7. PMID 5792073 DOI: 10.1037/h0027237  1
1967 Deutsch JA, Deutsch D, Lindsay PH, Treisman AM. Comments and reply on "Selective attention: perception or response? The Quarterly Journal of Experimental Psychology. 19: 362-7. PMID 6080925 DOI: 10.1080/14640746708400117  1
1963 Deutsch JA, Deutsch D. Attention: Some theoretical considerations Psychological Review. 70: 51-60. DOI: 10.1037/h0042712  1
1962 DEUTSCH JA, HOWARTH CI, BALL GC, DEUTSCH D. Threshold differentiation of drive and reward in the Olds effect. Nature. 196: 699-700. PMID 14027391 DOI: 10.1038/196699a0  1
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