Shlomo Dubnov, Ph.D
Affiliations: | EE, music | University of California, San Diego, La Jolla, CA |
Area:
Machine learning, computer musicGoogle:
"Shlomo Dubnov"Mean distance: 17.17 (cluster 17) | S | N | B | C | P |
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Publications
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Wang C, Dubnov S. (2015) The Variable Markov Oracle: Algorithms for Human Gesture Applications Ieee Multimedia. 22: 52-67 |
Cont A, Dubnov S, Assayag G. (2011) On the information geometry of audio streams with applications to similarity computing Ieee Transactions On Audio, Speech and Language Processing. 19: 837-846 |
Dubnov S, Assayag G, Cont A. (2011) Audio Oracle analysis of musical Information Rate Proceedings - 5th Ieee International Conference On Semantic Computing, Icsc 2011. 567-571 |
Assayag G, Bloch G, Cont A, et al. (2010) Interaction with machine improvisation The Structure of Style: Algorithmic Approaches to Understanding Manner and Meaning. 219-245 |
Dubnov S, Hinich MJ. (2009) Analyzing several musical instrument tones using the randomly modulated periodicity model Signal Processing. 89: 24-30 |
Dubnov S. (2008) Unified view of prediction and repetition structure in audio signals with application to interest point detection Ieee Transactions On Audio, Speech and Language Processing. 16: 327-337 |
Cont A, Dubnov S, Assayag G. (2007) Anticipatory model of musical style imitation using collaborative and competitive reinforcement learning Lecture Notes in Computer Science (Including Subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics). 4520: 285-306 |
Cont A, Dubnov S, Wessel D. (2007) Realtime multiple-pitch and multiple-instrument recognition for music signals using sparse non-negative constraints Proceedings of the 10th International Conference On Digital Audio Effects, Dafx 2007. 85-92 |
Dubnov S, Assayag G, Cont A. (2007) Audio oracle: A new algorithm for fast learning of audio structures International Computer Music Conference, Icmc 2007. 224-227 |
Cont A, Dubnov S, Assayag G. (2007) Guidage: A fast audio query guided assemblage International Computer Music Conference, Icmc 2007. 252-259 |