| Year |
Citation |
Score |
| 2024 |
Armitage J, Eerola T, Halpern AR. Play it again, but more sadly: Influence of timbre, mode, and musical experience in melody processing. Memory & Cognition. PMID 39095618 DOI: 10.3758/s13421-024-01614-8 |
0.479 |
|
| 2022 |
Micallef Grimaud A, Eerola T. Emotional expression through musical cues: A comparison of production and perception approaches. Plos One. 17: e0279605. PMID 36584186 DOI: 10.1371/journal.pone.0279605 |
0.413 |
|
| 2022 |
Reybrouck M, Eerola T. Musical Enjoyment and Reward: From Hedonic Pleasure to Eudaimonic Listening. Behavioral Sciences (Basel, Switzerland). 12. PMID 35621451 DOI: 10.3390/bs12050154 |
0.305 |
|
| 2022 |
Lennie TM, Eerola T. The CODA Model: A Review and Skeptical Extension of the Constructionist Model of Emotional Episodes Induced by Music. Frontiers in Psychology. 13: 822264. PMID 35496245 DOI: 10.3389/fpsyg.2022.822264 |
0.399 |
|
| 2021 |
Eerola T, Vuoskoski JK, Kautiainen H, Peltola HR, Putkinen V, Schäfer K. Being moved by listening to unfamiliar sad music induces reward-related hormonal changes in empathic listeners. Annals of the New York Academy of Sciences. PMID 34273130 DOI: 10.1111/nyas.14660 |
0.703 |
|
| 2021 |
Athanasopoulos G, Eerola T, Lahdelma I, Kaliakatsos-Papakostas M. Harmonic organisation conveys both universal and culture-specific cues for emotional expression in music. Plos One. 16: e0244964. PMID 33439887 DOI: 10.1371/journal.pone.0244964 |
0.352 |
|
| 2019 |
Vuoskoski JK, Eerola T. Explaining the enjoyment of negative emotions evoked by the arts: The need to consider empathy and other underlying mechanisms of emotion induction. The Behavioral and Brain Sciences. 40: e378. PMID 29342803 DOI: 10.1017/S0140525X1700187X |
0.731 |
|
| 2018 |
Maksimainen J, Wikgren J, Eerola T, Saarikallio S. The Effect of Memory in Inducing Pleasant Emotions with Musical and Pictorial Stimuli. Scientific Reports. 8: 17638. PMID 30518885 DOI: 10.1038/S41598-018-35899-Y |
0.741 |
|
| 2018 |
Eerola T, Vuoskoski JK, Peltola HR, Putkinen V, Schäfer K. Towards a more explicit account of the transformation: Reply to comments on "An integrative review of the enjoyment of sadness associated with music". Physics of Life Reviews. PMID 30017493 DOI: 10.1016/j.plrev.2018.06.013 |
0.675 |
|
| 2018 |
Cespedes-Guevara J, Eerola T. Music Communicates Affects, Not Basic Emotions - A Constructionist Account of Attribution of Emotional Meanings to Music. Frontiers in Psychology. 9: 215. PMID 29541041 DOI: 10.3389/fpsyg.2018.00215 |
0.427 |
|
| 2018 |
Reybrouck M, Eerola T, Podlipniak P. Editorial: Music and the Functions of the Brain: Arousal, Emotions, and Pleasure. Frontiers in Psychology. 9: 113. PMID 29479330 DOI: 10.3389/fpsyg.2018.00113 |
0.303 |
|
| 2017 |
Eerola T, Vuoskoski JK, Peltola HR, Putkinen V, Schäfer K. An integrative review of the enjoyment of sadness associated with music. Physics of Life Reviews. PMID 29198528 DOI: 10.1016/j.plrev.2017.11.016 |
0.717 |
|
| 2017 |
Reybrouck M, Eerola T. Music and Its Inductive Power: A Psychobiological and Evolutionary Approach to Musical Emotions. Frontiers in Psychology. 8: 494. PMID 28421015 DOI: 10.3389/fpsyg.2017.00494 |
0.416 |
|
| 2017 |
Vuoskoski JK, Eerola T. The Pleasure Evoked by Sad Music Is Mediated by Feelings of Being Moved. Frontiers in Psychology. 8: 439. PMID 28377740 DOI: 10.3389/fpsyg.2017.00439 |
0.742 |
|
| 2016 |
Eerola T, Vuoskoski JK, Kautiainen H. Being Moved by Unfamiliar Sad Music Is Associated with High Empathy. Frontiers in Psychology. 7: 1176. PMID 27695424 DOI: 10.3389/fpsyg.2016.01176 |
0.751 |
|
| 2016 |
Lahdelma I, Eerola T. Mild Dissonance Preferred Over Consonance in Single Chord Perception. I-Perception. 7: 2041669516655812. PMID 27433333 DOI: 10.1177/2041669516655812 |
0.34 |
|
| 2016 |
Eerola T, Peltola HR. Memorable Experiences with Sad Music-Reasons, Reactions and Mechanisms of Three Types of Experiences. Plos One. 11: e0157444. PMID 27300268 DOI: 10.1371/journal.pone.0157444 |
0.389 |
|
| 2016 |
Hausmann M, Hodgetts S, Eerola T. Music-induced changes in functional cerebral asymmetries. Brain and Cognition. 104: 58-71. PMID 26970942 DOI: 10.1016/j.bandc.2016.03.001 |
0.422 |
|
| 2015 |
Brattico E, Bogert B, Alluri V, Tervaniemi M, Eerola T, Jacobsen T. It's Sad but I Like It: The Neural Dissociation Between Musical Emotions and Liking in Experts and Laypersons. Frontiers in Human Neuroscience. 9: 676. PMID 26778996 DOI: 10.3389/Fnhum.2015.00676 |
0.392 |
|
| 2015 |
Juslin PN, Barradas G, Eerola T. From Sound to Significance: Exploring the Mechanisms Underlying Emotional Reactions to Music. The American Journal of Psychology. 128: 281-304. PMID 26442337 DOI: 10.5406/Amerjpsyc.128.3.0281 |
0.434 |
|
| 2013 |
Eerola T, Friberg A, Bresin R. Emotional expression in music: contribution, linearity, and additivity of primary musical cues. Frontiers in Psychology. 4: 487. PMID 23908642 DOI: 10.3389/fpsyg.2013.00487 |
0.381 |
|
| 2013 |
Laukka P, Eerola T, Thingujam NS, Yamasaki T, Beller G. Universal and culture-specific factors in the recognition and performance of musical affect expressions. Emotion (Washington, D.C.). 13: 434-49. PMID 23398579 DOI: 10.1037/A0031388 |
0.323 |
|
| 2012 |
Eerola T. Modeling listeners' emotional response to music. Topics in Cognitive Science. 4: 607-24. PMID 22389191 DOI: 10.1111/j.1756-8765.2012.01188.x |
0.379 |
|
| 2011 |
Vuoskoski JK, Eerola T. The role of mood and personality in the perception of emotions represented by music. Cortex; a Journal Devoted to the Study of the Nervous System and Behavior. 47: 1099-106. PMID 21612773 DOI: 10.1016/j.cortex.2011.04.011 |
0.739 |
|
| 2007 |
Toiviainen P, Erkkilä J, Eerola T, Luck G, Lartillot O. Music cognition research amidst the boreal forest. Cognitive Processing. 8: 57-62. PMID 17265044 DOI: 10.1007/S10339-007-0160-4 |
0.653 |
|
| 2006 |
Toiviainen P, Eerola T. Autocorrelation in meter induction: the role of accent structure. The Journal of the Acoustical Society of America. 119: 1164-70. PMID 16521777 DOI: 10.1121/1.2146084 |
0.667 |
|
| 2004 |
Hannon EE, Snyder JS, Eerola T, Krumhansl CL. The role of melodic and temporal cues in perceiving musical meter. Journal of Experimental Psychology. Human Perception and Performance. 30: 956-74. PMID 15462633 DOI: 10.1037/0096-1523.30.5.956 |
0.705 |
|
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