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Jordan E. DeLong, Ph.D. - Publications

Affiliations: 
2003-2007 Psychological and Brain Sciences Indiana University, Bloomington, Bloomington, IN, United States 
 2007-2014 Psychology Cornell University, Ithaca, NY, United States 
 2013-2016 Psychological and Brain Sciences Indiana University, Bloomington, Bloomington, IN, United States 
Area:
Vision
Website:
"http://www.jordandelong.com"
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16 high-probability publications. We are testing a new system for linking publications to authors. You can help! If you notice any inaccuracies, please sign in and mark papers as correct or incorrect matches. If you identify any major omissions or other inaccuracies in the publication list, please let us know.

Year Citation  Score
2018 Cutting JE, DeLong JE, Brunick KL. Temporal fractals in movies and mind. Cognitive Research: Principles and Implications. 3: 8. PMID 29577071 DOI: 10.1186/s41235-018-0091-x  0.569
2017 DeLong JE. Neuropsychology Behind the Plate Sport, Ethics and Philosophy. 11: 385-395. DOI: 10.1080/17511321.2017.1311367  0.408
2016 Candan A, Cutting JE, DeLong JE. RSVP at the movies: dynamic images are remembered better than static images when resources are limited Visual Cognition. 1-12. DOI: 10.1080/13506285.2016.1159636  0.538
2015 Gunaydin G, DeLong JE. Reverse correlating love: highly passionate women idealize their partner's facial appearance. Plos One. 10: e0121094. PMID 25806540 DOI: 10.1371/Journal.Pone.0121094  0.374
2012 Cutting JE, Brunick KL, DeLong J. On Shot Lengths and Film Acts: A Revised View Projections. 6. DOI: 10.3167/PROJ.2012.060106  0.595
2011 Cutting JE, Brunick KL, Delong JE, Iricinschi C, Candan A. Quicker, faster, darker: Changes in Hollywood film over 75 years. I-Perception. 2: 569-76. PMID 23145246 DOI: 10.1068/i0441aap  0.592
2011 Cutting JE, Brunick KL, Delong JE. How Act Structure Sculpts Shot Lengths and Shot Transitions in Hollywood Film Projections. 5: 1-16. DOI: 10.3167/PROJ.2011.050102  0.586
2011 Cutting J, Brunick K, Delong J. The changing poetics of the dissolve in hollywood film Empirical Studies of the Arts. 29: 149-169. DOI: 10.2190/EM.29.2.b  0.6
2011 Cutting JE, DeLong JE, Brunick KL. Visual Activity in Hollywood Film: 1935 to 2005 and Beyond Psychology of Aesthetics, Creativity, and the Arts. 5: 115-125. DOI: 10.1037/a0020995  0.604
2010 Burkhardt A, Blaha LM, Jurs BS, Rhodes G, Jeffery L, Wyatte D, DeLong J, Busey T. Adaptation modulates the electrophysiological substrates of perceived facial distortion: support for opponent coding. Neuropsychologia. 48: 3743-56. PMID 20736026 DOI: 10.7490/F1000Research.1406.1  0.69
2010 Cutting JE, DeLong JE, Nothelfer CE. Attention and the evolution of Hollywood film. Psychological Science. 21: 432-9. PMID 20424081 DOI: 10.1177/0956797610361679  0.595
2010 Schneider BL, DeLong JE, Busey TA. On the nature of privileged visual stimuli: Partial immunity from within-class inhibition Journal of Vision. 6: 666-666. DOI: 10.1167/6.6.666  0.68
2010 DeLong J, Brunick K, Cutting J. Shot Structure and Visual Activity: The Evolution of Hollywood Film Journal of Vision. 10: 1229-1229. DOI: 10.1167/10.7.1229  0.594
2007 Schneider BL, DeLong JE, Busey TA. Added noise affects the neural correlates of upright and inverted faces differently. Journal of Vision. 7: 4. PMID 17461688 DOI: 10.1167/7.4.4  0.736
2007 Busey T, Schneider B, Wyatte D, DeLong J, Burkhardt A, Tjan B. Are inverted faces processed at a later stage? Journal of Vision. 7: 618-618. DOI: 10.1167/7.9.618  0.675
2007 Schneider B, DeLong J, Wyatte D, James K, Busey T. The neural correlates of face-like expertise in fingerprint examiners Journal of Vision. 7: 575-575. DOI: 10.1167/7.9.575  0.684
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