| Year |
Citation |
Score |
| 2018 |
Massie-Laberge C, Cossette I, Wanderley MM. Kinematic Analysis of Pianists' Expressive Performances of Romantic Excerpts: Applications for Enhanced Pedagogical Approaches. Frontiers in Psychology. 9: 2725. PMID 30687180 DOI: 10.3389/Fpsyg.2018.02725 |
0.413 |
|
| 2017 |
Demos AP, Carter DJ, Wanderley MM, Palmer C. The Unresponsive Partner: Roles of Social Status, Auditory Feedback, and Animacy in Coordination of Joint Music Performance. Frontiers in Psychology. 8: 149. PMID 28261123 DOI: 10.3389/Fpsyg.2017.00149 |
0.367 |
|
| 2017 |
Maestre E, Papiotis P, Marchini M, Llimona Q, Mayor O, Perez A, Wanderley MM. Enriched Multimodal Representations of Music Performances: Online Access and Visualization Ieee Multimedia. 24: 24-34. DOI: 10.1109/Mmul.2017.3 |
0.332 |
|
| 2017 |
Calegario F, Wanderley MM, Huot S, Cabral G, Ramalho G. A Method and Toolkit for Digital Musical Instruments: Generating Ideas and Prototypes Ieee Multimedia. 24: 63-71. DOI: 10.1109/Mmul.2017.18 |
0.314 |
|
| 2016 |
Schumacher M, Wanderley MM. Integrating Gesture Data in Computer-aided Composition: A Framework for Representation, Processing and Mapping Journal of New Music Research. 46: 87-101. DOI: 10.1080/09298215.2016.1254662 |
0.329 |
|
| 2015 |
Livingstone SR, Thompson WF, Wanderley MM, Palmer C. Common cues to emotion in the dynamic facial expressions of speech and song. Quarterly Journal of Experimental Psychology (2006). 68: 952-70. PMID 25424388 DOI: 10.1080/17470218.2014.971034 |
0.605 |
|
| 2015 |
Maes PJ, Wanderley MM, Palmer C. The role of working memory in the temporal control of discrete and continuous movements. Experimental Brain Research. 233: 263-73. PMID 25311387 DOI: 10.1007/S00221-014-4108-5 |
0.325 |
|
| 2015 |
Perez-Carrillo A, Wanderley MM. Indirect Acquisition of Violin Instrumental Controls from Audio Signal with Hidden Markov Models Ieee Transactions On Audio, Speech and Language Processing. 23: 932-940. DOI: 10.1109/Taslp.2015.2410140 |
0.327 |
|
| 2015 |
Teixeira ECF, Loureiro MA, Wanderley MM, Yehia HC. Motion Analysis of Clarinet Performers Journal of New Music Research. 44: 97-111. DOI: 10.1080/09298215.2014.925939 |
0.388 |
|
| 2014 |
Medeiros CB, Wanderley MM. A comprehensive review of sensors and instrumentation methods in devices for musical expression. Sensors (Basel, Switzerland). 14: 13556-91. PMID 25068865 DOI: 10.3390/S140813556 |
0.318 |
|
| 2014 |
Maes PJ, Leman M, Palmer C, Wanderley MM. Action-based effects on music perception. Frontiers in Psychology. 4: 1008. PMID 24454299 DOI: 10.3389/Fpsyg.2013.01008 |
0.354 |
|
| 2014 |
Kaiser R, Brum Medeiros C, Wanderley MM, Schonwiesner M. The effect of movement-complexity on perceived audio-visual synchronicity Journal of Vision. 14: 1016-1016. DOI: 10.1167/14.10.1016 |
0.301 |
|
| 2014 |
Winters RM, Wanderley MM. Sonification of Emotion: Strategies and results from the intersection with music Organised Sound. 19: 60-69. DOI: 10.1017/S1355771813000411 |
0.559 |
|
| 2014 |
Seger RA, Wanderley MM, Koerich AL. Automatic detection of musicians' ancillary gestures based on video analysis Expert Systems With Applications. 41: 2098-2106. DOI: 10.1016/J.Eswa.2013.09.009 |
0.338 |
|
| 2013 |
Chadefaux D, Carrou JLL, Wanderley MM, Fabre B, Daudet L. Gestural strategies in the harp performance Acta Acustica United With Acustica. 99: 986-996. DOI: 10.3813/Aaa.918677 |
0.394 |
|
| 2013 |
Thibodeau J, Wanderley MM. Trumpet augmentation and technological symbiosis Computer Music Journal. 37: 12-25. DOI: 10.1162/Comj_A_00185 |
0.31 |
|
| 2012 |
Bouënard A, Gibet S, Wanderley MM. Hybrid inverse motion control for virtual characters interacting with sound synthesis: Application to percussion motion Visual Computer. 28: 357-370. DOI: 10.1007/S00371-011-0620-9 |
0.342 |
|
| 2011 |
Vines BW, Krumhansl CL, Wanderley MM, Dalca IM, Levitin DJ. Music to my eyes: cross-modal interactions in the perception of emotions in musical performance. Cognition. 118: 157-70. PMID 21146164 DOI: 10.1016/J.Cognition.2010.11.010 |
0.626 |
|
| 2011 |
Bouënard A, Wanderley MM, Gibet S, Marandola F. Virtual gesture control and synthesis of music performances: Qualitative evaluation of synthesized timpani exercises Computer Music Journal. 35: 57-72. DOI: 10.1162/Comj_A_00069 |
0.394 |
|
| 2009 |
Nusseck M, Wanderley MM. Music and motion - How music-related ancillary body movements contribute to the experience of music Music Perception. 26: 335-353. DOI: 10.1525/Mp.2009.26.4.335 |
0.387 |
|
| 2009 |
Marshall MT, Hartshorn M, Wanderley MM, Levitin DJ. Sensor Choice for Parameter Modulations in Digital Musical Instruments: Empirical Evidence from Pitch Modulation Journal of New Music Research. 38: 241-253. DOI: 10.1080/09298210903085865 |
0.329 |
|
| 2009 |
Sinclair S, Wanderley MM. A run-time programmable simulator to enable multi-modal interaction with rigid-body systems Interacting With Computers. 21: 54-63. DOI: 10.1016/J.Intcom.2008.10.012 |
0.311 |
|
| 2008 |
Verfaille V, Wanderley MM, Depalle P. Indirect acquisition of flutist gestures: a case study of harmonic note fingerings The Journal of the Acoustical Society of America. 123: 3796-3796. DOI: 10.1121/1.2935474 |
0.354 |
|
| 2008 |
Verfaille V, Rebillout A, Guillemain P, Wanderley MM. Refining mapping strategies to improve the sound quality of physically controlled synthesis The Journal of the Acoustical Society of America. 123: 3658-3658. DOI: 10.1121/1.2934968 |
0.306 |
|
| 2006 |
Vines BW, Krumhansl CL, Wanderley MM, Levitin DJ. Cross-modal interactions in the perception of musical performance. Cognition. 101: 80-113. PMID 16289067 DOI: 10.1016/J.Cognition.2005.09.003 |
0.57 |
|
| 2006 |
Verfaille V, Wanderley MM. Mapping strategies for sound synthesis, digital audio effects, and sonification of performer gestures The Journal of the Acoustical Society of America. 119: 3439-3439. DOI: 10.1121/1.4786924 |
0.313 |
|
| 2005 |
Vines BW, Krumhansl CL, Wanderley MM, Dalca IM, Levitin DJ. Dimensions of emotion in expressive musical performance. Annals of the New York Academy of Sciences. 1060: 462-6. PMID 16597804 DOI: 10.1196/Annals.1360.052 |
0.619 |
|
| 2005 |
Wanderley MM, Vines BW, Middleton N, McKay C, Hatch W. The musical significance of clarinetists' ancillary gestures: An exploration of the field Journal of New Music Research. 34: 97-113. DOI: 10.1080/09298210500124208 |
0.425 |
|
| 2004 |
Vines BW, Wanderley MM, Krumhansl CL, Nuzzo RL, Levitin DJ. Performance gestures of musicians: What structural and emotional information do they convey? Lecture Notes in Artificial Intelligence (Subseries of Lecture Notes in Computer Science). 2915: 468-478. |
0.41 |
|
| 2002 |
Wanderley MM, Orio N. Evaluation of input devices for musical expression: Borrowing tools from HCI Computer Music Journal. 26: 62-76. DOI: 10.1162/014892602320582981 |
0.3 |
|
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