Martine Turgeon, Ph.D.
Affiliations: | 2000 | McGill University, Montreal, QC, Canada |
Area:
auditory system, psychophysicsGoogle:
"Martine Turgeon"Mean distance: 16.49 (cluster 14) | S | N | B | C | P |
Parents
Sign in to add mentorAlbert S. Bregman | grad student | 2000 | McGill | |
(Cross -spectral auditory grouping using the paradigm of rhythmic masking release.) |
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Publications
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Plack CJ, Turgeon M, Lancaster S, et al. (2011) Frequency discrimination duration effects for Huggins pitch and narrowband noise (L). The Journal of the Acoustical Society of America. 129: 1-4 |
Turgeon M. (2008) An exploration of attentional monitoring of isochronous asynchronous streams in deviant detection and sensorimotor synchronization Journal of the Acoustical Society of America. 123: 3569-3569 |
Turgeon M, Bregman AS, Roberts B. (2005) Rhythmic masking release: effects of asynchrony, temporal overlap, harmonic relations, and source separation on cross-spectral grouping. Journal of Experimental Psychology. Human Perception and Performance. 31: 939-53 |
Turgeon M, Bregman AS, Ahad PA. (2002) Rhythmic masking release: contribution of cues for perceptual organization to the cross-spectral fusion of concurrent narrow-band noises. The Journal of the Acoustical Society of America. 111: 1819-31 |
Turgeon M, Bregman AS. (2001) Ambiguous musical figures. Sequential grouping by common pitch and sound-source location versus simultaneous grouping by temporal synchrony. Annals of the New York Academy of Sciences. 930: 375-81 |
TURGEON M, BREGMAN AS. (2001) Ambiguous Musical Figures Annals of the New York Academy of Sciences. 930: 375-381 |
Turgeon M, Bregman AS. (1999) The relative contribution of onset asynchrony, harmonic ratios and angular separation of sound sources to the cross‐spectral grouping of complex tones in a free field The Journal of the Acoustical Society of America. 106: 2238-2238 |
Turgeon M, Bregman AS. (1997) Rhythmic masking release: A paradigm to investigate auditory grouping resulting from the integration of time‐varying intensity levels across frequency and across ears The Journal of the Acoustical Society of America. 102: 3160-3160 |