| Year |
Citation |
Score |
| 2020 |
Huron D, Vuoskoski JK. On the Enjoyment of Sad Music: Pleasurable Compassion Theory and the Role of Trait Empathy. Frontiers in Psychology. 11: 1060. PMID 32547455 DOI: 10.3389/Fpsyg.2020.01060 |
0.402 |
|
| 2019 |
Huron D. Musical Aesthetics: Uncertainty and Surprise Enhance Our Enjoyment of Music. Current Biology : Cb. 29: R1238-R1240. PMID 31794756 DOI: 10.1016/J.Cub.2019.10.021 |
0.415 |
|
| 2019 |
Warrenburg L, Huron D. Fitness and Musical Taste: Do Physically Fit Listeners Prefer More Stressful Music? Empirical Musicology Review. 13: 21-38. DOI: 10.18061/Emr.V13I1-2.6208 |
0.319 |
|
| 2019 |
Kovacevich A, Huron D. Two Studies of Autonomous Sensory Meridian Response (ASMR): The Relationship between ASMR and Music-Induced Frisson Empirical Musicology Review. 13: 39-63. DOI: 10.18061/Emr.V13I1-2.6012 |
0.371 |
|
| 2019 |
Trevor C, Huron D. Are Humoresques Humorous? On the Similarity Between Laughter and Staccato Empirical Musicology Review. 13: 66-77. DOI: 10.18061/Emr.V13I1-2.5608 |
0.38 |
|
| 2019 |
Ladinig O, Brooks C, Horn K, Huron D. Enjoying Sad Music: A Test of the Prolactin Theory: Musicae Scientiae. 102986491989090. DOI: 10.1177/1029864919890900 |
0.324 |
|
| 2019 |
Warrenburg LA, Huron D. Tests of contrasting expressive content between first and second musical themes Journal of New Music Research. 48: 21-35. DOI: 10.1080/09298215.2018.1486435 |
0.412 |
|
| 2018 |
Chon SH, Huron D, DeVlieger D. An Exploratory Study of Western Orchestration: Patterns through History Empirical Musicology Review. 12: 116-159. DOI: 10.18061/Emr.V12I3-4.5773 |
0.337 |
|
| 2018 |
Huron D. The Lone Instrument: Musical Solos and Sadness-Related Features Music Perception: An Interdisciplinary Journal. 35: 540-560. DOI: 10.1525/Mp.2018.35.5.540 |
0.36 |
|
| 2018 |
Brinkman A, Huron D. The leading sixth scale degree: A test of Day-O’Connell’s theory Journal of New Music Research. 47: 166-175. DOI: 10.1080/09298215.2017.1407345 |
0.329 |
|
| 2017 |
Condit-Schultz N, Huron D. Word Intelligibility in Multi-voice Singing: The Influence of Chorus Size. Journal of Voice : Official Journal of the Voice Foundation. 31: 121.e1-121.e8. PMID 27068550 DOI: 10.1016/J.Jvoice.2016.02.011 |
0.33 |
|
| 2017 |
Huron D, Trevor C. Are Stopped Strings Preferred in Sad Music Empirical Musicology Review. 11: 261-269. DOI: 10.18061/Emr.V11I2.4968 |
0.332 |
|
| 2015 |
Schäfer T, Huron D, Shanahan D, Sedlmeier P. The sounds of safety: stress and danger in music perception. Frontiers in Psychology. 6: 1140. PMID 26300825 DOI: 10.3389/Fpsyg.2015.01140 |
0.355 |
|
| 2015 |
Huron D. Affect induction through musical sounds: an ethological perspective. Philosophical Transactions of the Royal Society of London. Series B, Biological Sciences. 370: 20140098. PMID 25646521 DOI: 10.1098/Rstb.2014.0098 |
0.339 |
|
| 2015 |
Horn K, Huron D. On the Changing Use of the Major and Minor Modes 1750–1900 Music Theory Online. 21. DOI: 10.30535/Mto.21.1.4 |
0.437 |
|
| 2015 |
Condit-Schultz N, Huron D. Catching the Lyrics: Intelligibility in Twelve Song Genres Music Perception: An Interdisciplinary Journal. 32: 470-483. DOI: 10.1525/Mp.2015.32.5.470 |
0.426 |
|
| 2015 |
Chon SH, Huron D. Effects of pitch, intensity, and timbre on frequency masking Journal of the Acoustical Society of America. 137: 2406-2406. DOI: 10.1121/1.4920764 |
0.369 |
|
| 2014 |
Shanahan D, Huron D. Heroes and Villains: The Relationship between Pitch Tessitura and Sociability of Operatic Characters Empirical Musicology Review. 9: 141-153. DOI: 10.18061/Emr.V9I2.4441 |
0.38 |
|
| 2014 |
Huron D, Anderson N, Shanahan D. “You Can’t Play a Sad Song on the Banjo:” Acoustic Factors in the Judgment of Instrument Capacity to Convey Sadness Empirical Musicology Review. 9: 29-41. DOI: 10.18061/Emr.V9I1.4085 |
0.358 |
|
| 2014 |
Albrecht JD, Huron D. A Statistical Approach to Tracing the Historical Development of Major and Minor Pitch Distributions, 1400-1750 Music Perception: An Interdisciplinary Journal. 31: 223-243. DOI: 10.1525/Mp.2014.31.3.223 |
0.332 |
|
| 2013 |
Schäfer T, Sedlmeier P, Städtler C, Huron D. The psychological functions of music listening. Frontiers in Psychology. 4: 511. PMID 23964257 DOI: 10.3389/Fpsyg.2013.00511 |
0.379 |
|
| 2013 |
Huron D. Theories, frameworks and aesthetics: comment on "From everyday emotions to aesthetic emotions: towards a unified theory of musical emotions" by Patrik Juslin. Physics of Life Reviews. 10: 271-2. PMID 23928471 DOI: 10.1016/J.Plrev.2013.07.005 |
0.371 |
|
| 2013 |
Huron D, Shanahan D. Eyebrow movements and vocal pitch height: evidence consistent with an ethological signal. The Journal of the Acoustical Society of America. 133: 2947-52. PMID 23654399 DOI: 10.1121/1.4798801 |
0.328 |
|
| 2013 |
Huron D. A Psychological Approach to Musical Form: The Habituation-Fluency Theory of Repetition Current Musicology. 96: 7-35. DOI: 10.7916/D8Kp81Fg |
0.419 |
|
| 2013 |
Johnson RB, Huron D, Collister L. Music and Lyrics Interactions and their Influence on Recognition of Sung Words: An Investigation of Word Frequency, Rhyme, Metric Stress, Vocal Timbre, Melisma, and Repetition Priming Empirical Musicology Review. 9: 2-20. DOI: 10.18061/Emr.V9I1.3729 |
0.34 |
|
| 2013 |
Huron D, Davis MJ. The Harmonic Minor Scale Provides an Optimum Way of Reducing Average Melodic Interval Size, Consistent with Sad Affect Cues Empirical Musicology Review. 7: 103-117. DOI: 10.18061/Emr.V7I3-4.3732 |
0.353 |
|
| 2013 |
Broze Y, Huron D. Is Higher Music Faster? Pitch–Speed Relationships in Western Compositions Music Perception: An Interdisciplinary Journal. 31: 19-31. DOI: 10.1525/Mp.2013.31.1.19 |
0.425 |
|
| 2013 |
Ladinig O, Huron D. Minor Mode Cuing: Do Composers Signal Minor Mode Sooner Than Major Mode? Psychomusicology: Music, Mind and Brain. 23: 117-122. DOI: 10.1037/Pmu0000007 |
0.329 |
|
| 2012 |
Schellenberg EG, Corrigall KA, Ladinig O, Huron D. Changing the Tune: Listeners Like Music that Expresses a Contrasting Emotion. Frontiers in Psychology. 3: 574. PMID 23269918 DOI: 10.3389/Fpsyg.2012.00574 |
0.331 |
|
| 2012 |
Huron D. Two challenges in cognitive musicology. Topics in Cognitive Science. 4: 678-84. PMID 23060127 DOI: 10.1111/J.1756-8765.2012.01224.X |
0.316 |
|
| 2011 |
Shanahan D, Huron D. Interval Size and Phrase Position: A Comparison between German and Chinese Folksongs Empirical Musicology Review. 6: 187-197. DOI: 10.18061/1811/52948 |
0.343 |
|
| 2011 |
Tiemann L, Huron D. Beyond Happiness and Sadness: Affective Associations of Lyrics with Modality and Dynamics Empirical Musicology Review. 6: 147-154. DOI: 10.18061/1811/52809 |
0.395 |
|
| 2011 |
Huron D. Why is sad music pleasurable? A possible role for prolactin: Musicae Scientiae. 15: 146-158. DOI: 10.1177/1029864911401171 |
0.408 |
|
| 2011 |
Plazak J, Huron D. The first three seconds: Listener knowledge gained from brief musical excerpts Musicae Scientiae. 15: 29-44. DOI: 10.1177/1029864910391455 |
0.41 |
|
| 2010 |
Ladinig O, Huron D. Dynamic Levels in Classical and Romantic Keyboard Music: Effect of Musical Mode Empirical Musicology Review. 5: 51-56. DOI: 10.18061/1811/46762 |
0.349 |
|
| 2010 |
Paul B, Huron D. An Association between Breaking Voice and Grief-related Lyrics in Country Music Empirical Musicology Review. 5: 27-35. DOI: 10.18061/1811/46747 |
0.369 |
|
| 2010 |
Plazak J, Huron D, Williams B. Fixed Average Spectra of Orchestral Instrument Tones Empirical Musicology Review. 5: 10-17. DOI: 10.18061/1811/45171 |
0.333 |
|
| 2009 |
Huron D, Berec J. Characterizing Idiomatic Organization in Music: A Theory and Case Study of Musical Affordances Empirical Musicology Review. 4: 103-122. DOI: 10.18061/1811/44531 |
0.325 |
|
| 2009 |
Post O, Huron D. Western Classical Music in the Minor Mode is Slower (Except in the Romantic Period) Empirical Musicology Review. 4: 2-10. DOI: 10.18061/1811/36601 |
0.368 |
|
| 2008 |
Huron D. Science & music: lost in music. Nature. 453: 456-7. PMID 18497806 DOI: 10.1038/453456A |
0.351 |
|
| 2008 |
Schutz M, Huron D, Keeton K, Loewer G. The Happy Xylophone: Acoustics Affordances Restrict An Emotional Palate Empirical Musicology Review. 3: 126-135. DOI: 10.18061/1811/34103 |
0.417 |
|
| 2008 |
Collister LB, Huron D. Comparison of Word Intelligibility in Spoken and Sung Phrases Empirical Musicology Review. 3: 109-125. DOI: 10.18061/1811/34102 |
0.338 |
|
| 2008 |
Turner B, Huron D. A Comparison of Dynamics in Major- and Minor-key Works Empirical Musicology Review. 3: 64-68. DOI: 10.18061/1811/31941 |
0.353 |
|
| 2008 |
Huron D. A Comparison of Average Pitch Height and Interval Size in Major- and Minor-key Themes: Evidence Consistent with Affect-related Pitch Prosody Empirical Musicology Review. 3: 59-63. DOI: 10.18061/1811/31940 |
0.407 |
|
| 2008 |
Huron D. Asynchronous Preparation of Tonally Fused Intervals in Polyphonic Music Empirical Musicology Review. 3: 11-21. DOI: 10.18061/1811/31695 |
0.414 |
|
| 2007 |
Huron D. On the Role of Embellishment Tones in the Perceptual Segregation of Concurrent Musical Parts Empirical Musicology Review. 2: 123-139. DOI: 10.18061/1811/29394 |
0.404 |
|
| 2006 |
Huron D, Kinney D, Precoda K. Influence of Pitch Height on the Perception of Submissiveness and Threat in Musical Passages Empirical Musicology Review. 1: 170-177. DOI: 10.18061/1811/24068 |
0.357 |
|
| 2006 |
Huron D, Ommen A. An Empirical Study of Syncopation in American Popular Music, 1890–1939 Music Theory Spectrum. 28: 211-231. DOI: 10.1525/Mts.2006.28.2.211 |
0.314 |
|
| 2003 |
Huron D, Ollen J. Agogic Contrast in French and English Themes: Further Support for Patel and Daniele (2003) Music Perception. 21: 267-271. DOI: 10.1525/Mp.2003.21.2.267 |
0.394 |
|
| 2001 |
Huron D. Is Music an Evolutionary Adaptation Annals of the New York Academy of Sciences. 930: 43-61. PMID 11458859 DOI: 10.1111/J.1749-6632.2001.Tb05724.X |
0.373 |
|
| 2001 |
Huron D. Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles Music Perception. 19: 1-64. DOI: 10.1525/Mp.2001.19.1.1 |
0.37 |
|
| 2000 |
Hippel PV, Huron D. Why Do Skips Precede Reversals? The Effect of Tessitura on Melodic Structure Music Perception: An Interdisciplinary Journal. 18: 59-85. DOI: 10.2307/40285901 |
0.346 |
|
| 1999 |
Iyer N, Aarden B, Hoglund E, Huron D. Effect of intensity on sensory dissonance The Journal of the Acoustical Society of America. 106: 2208-2209. DOI: 10.1121/1.427503 |
0.335 |
|
| 1996 |
Huron D, Royal M. What Is Melodic Accent? Converging Evidence from Musical Practice Music Perception: An Interdisciplinary Journal. 13: 489-516. DOI: 10.2307/40285700 |
0.365 |
|
| 1994 |
Simpson J, Huron D. Absolute Pitch as a Learned Phenomenon: Evidence Consistent with the Hick-Hyman Law Music Perception: An Interdisciplinary Journal. 12: 267-270. DOI: 10.2307/40285656 |
0.309 |
|
| 1993 |
Huron D. Note-Onset Asynchrony in J. S. Bach's Two-Part Inventions Music Perception: An Interdisciplinary Journal. 10: 435-443. DOI: 10.2307/40285582 |
0.364 |
|
| 1993 |
Huron D. A derivation of the rules of voice‐leading from perceptual principles Journal of the Acoustical Society of America. 93: 2362-2362. DOI: 10.1121/1.406175 |
0.316 |
|
| 1993 |
Huron D. Chordal-tone doubling and the enhancement of key perception. Psychomusicology: a Journal of Research in Music Cognition. 12: 73-83. DOI: 10.1037/H0094115 |
0.388 |
|
| 1992 |
Huron D, Sellmer P. Critical Bands and the Spelling of Vertical Sonorities Music Perception: An Interdisciplinary Journal. 10: 129-149. DOI: 10.2307/40285604 |
0.352 |
|
| 1992 |
Huron D. The Ramp Archetype and the Maintenance of Passive Auditory Attention Music Perception. 10: 83-91. DOI: 10.2307/40285540 |
0.36 |
|
| 1991 |
Huron D. The Avoidance of Part-Crossing in Polyphonic Music: Perceptual Evidence and Musical Practice Music Perception: An Interdisciplinary Journal. 9: 93-103. DOI: 10.2307/40286160 |
0.338 |
|
| 1991 |
Huron D. Tonal Consonance versus Tonal Fusion in Polyphonic Sonorities Music Perception: An Interdisciplinary Journal. 9: 135-154. DOI: 10.2307/40285526 |
0.324 |
|
| 1991 |
Huron D. The Ramp Archetype: A Score-Based Study of Musical Dynamics in 14 Piano Composers Psychology of Music. 19: 33-45. DOI: 10.1177/0305735691191003 |
0.342 |
|
| 1990 |
Huron D. Crescendo/Diminuendo Asymmetries in Beethoven's Piano Sonatas Music Perception: An Interdisciplinary Journal. 7: 395-402. DOI: 10.2307/40285475 |
0.327 |
|
| 1990 |
Huron D. Increment/Decrement Asymmetries in Polyphonic Sonorities Music Perception: An Interdisciplinary Journal. 7: 385-393. DOI: 10.2307/40285474 |
0.402 |
|
| 1989 |
Huron D, Fantini DA. The Avoidance of Inner-Voice Entries: Perceptual Evidence and Musical Practice Music Perception: An Interdisciplinary Journal. 7: 43-47. DOI: 10.2307/40285447 |
0.418 |
|
| 1989 |
Huron D. Voice Denumerability in Polyphonic Music of Homogeneous Timbres Music Perception. 6: 361-382. DOI: 10.2307/40285438 |
0.416 |
|
| 1988 |
Huron D. Glossary of Computer Music Terminology Computer Music Journal. 12: 10. DOI: 10.2307/3680148 |
0.406 |
|
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