James E. Cutting
Affiliations: | 1980-2021 | Psychology | Cornell University, Ithaca, NY, United States |
Area:
perceptionWebsite:
http://people.psych.cornell.edu/~jec7/Google:
"James Cutting"Mean distance: 14.42 (cluster 23)
Parents
Sign in to add mentorRuth S. Day | grad student | Yale | |
Wendell R (Tex) Garner | grad student | Yale |
Children
Sign in to add traineeChristine E. Nothelfer | research assistant | 2008-2008 | Cornell |
Nicola Bruno | grad student | University of Parma | |
Thomas A. Busey | grad student | Indiana University Bloomington | |
Jordan E. DeLong | grad student | Cornell | |
James A. Ferwerda | grad student | Rochester Institute of Technology | |
Scott H. Frey | grad student | University of Missouri - Columbia | |
Peter Vishton | grad student | William and Mary | |
Ranxiao Frances Wang | grad student | UIUC |
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Publications
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Cutting JE, Armstrong KL. (2019) Large-scale narrative events in popular cinema. Cognitive Research: Principles and Implications. 4: 34 |
Cutting JE. (2019) Sequences in popular cinema generate inconsistent event segmentation. Attention, Perception & Psychophysics |
Cutting JE, Pearlman K. (2019) Shaping Edits, Creating Fractals Projections. 13: 1-22 |
Cutting JE, DeLong JE, Brunick KL. (2018) Temporal fractals in movies and mind. Cognitive Research: Principles and Implications. 3: 8 |
Cutting JE. (2016) The evolution of pace in popular movies. Cognitive Research: Principles and Implications. 1: 30 |
Cutting JE. (2016) Narrative theory and the dynamics of popular movies. Psychonomic Bulletin & Review |
Candan A, Cutting JE, DeLong JE. (2016) RSVP at the movies: dynamic images are remembered better than static images when resources are limited Visual Cognition. 1-12 |
Cutting JE. (2014) Event segmentation and seven types of narrative discontinuity in popular movies. Acta Psychologica. 149: 69-77 |
Cutting JE. (2014) How light and motion bathe the silver screen Psychology of Aesthetics, Creativity, and the Arts. 8: 340-353 |
Cutting JE, Iricinschi C, Brunick KL. (2013) Mapping Narrative Space in Hollywood Film Projections. 7 |