Stephen McAdams, Ph.D.
Affiliations: | Music Perception and Cognition Lab | McGill University, Montreal, QC, Canada |
Website:
http://mt.music.mcgill.ca/mpcl/people/stephen-mcadamsGoogle:
"Stephen McAdams"Bio:
McAdams, S. (1984). Spectral fusion, spectral parsing and the formation of auditory images. Stanford University, Palo Alto, CA.
Mean distance: 18.88 (cluster 23) | S | N | B | C | P |
Cross-listing: Music Tree
Children
Sign in to add trainee| Yinan Cao | grad student | McGill | |
| Sophie Donnadieu | grad student | McGill | |
| Bruno Lucio Giordano | grad student | ||
| Daniel Pressnitzer | grad student | Université Pierre et Marie Curie-Paris 6 | |
| Michel Vallieres | grad student | 2012 | McGill |
| Etienne Thoret | post-doc |
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Publications
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| Heng L, McAdams S. (2024) The function of timbre in the perception of affective intentions: Effect of enculturation in different musical traditions. Musicae Scientiae : the Journal of the European Society For the Cognitive Sciences of Music. 28: 675-702 |
| McAdams S, Thoret E, Wang G, et al. (2023) Timbral cues for learning to generalize musical instrument identity across pitch register. The Journal of the Acoustical Society of America. 153: 797 |
| Reymore L, Beauvais-Lacasse E, Smith BK, et al. (2022) Modeling Noise-Related Timbre Semantic Categories of Orchestral Instrument Sounds With Audio Features, Pitch Register, and Instrument Family. Frontiers in Psychology. 13: 796422 |
| Wang X, Wei Y, Heng L, et al. (2021) A Cross-Cultural Analysis of the Influence of Timbre on Affect Perception in Western Classical Music and Chinese Music Traditions. Frontiers in Psychology. 12: 732865 |
| Kazazis S, Depalle P, McAdams S. (2021) Ordinal scaling of timbre-related spectral audio descriptors. The Journal of the Acoustical Society of America. 149: 3785 |
| Thoret E, Caramiaux B, Depalle P, et al. (2020) Learning metrics on spectrotemporal modulations reveals the perception of musical instrument timbre. Nature Human Behaviour |
| Sears DRW, Spitzer J, Caplin WE, et al. (2020) Expecting the end: Continuous expectancy ratings for tonal cadences: Psychology of Music. 48: 358-375 |
| Noble J, McAdams S. (2020) Sound mass, auditory perception, and ‘post-tone’ music Journal of New Music Research. 49: 231-251 |
| Noble J, Bonin T, McAdams S. (2020) Experiences of Time and Timelessness in Electroacoustic Music Organised Sound. 25: 232-247 |
| Lembke S, Parker K, Narmour E, et al. (2019) Acoustical correlates of perceptual blend in timbre dyads and triads Musicae Scientiae. 23: 250-274 |